Alex Solano
Tom GriffinAlex Solano elevates his Dolby Atmos music mixes with NUGEN Audio plug-ins.
Alan Silverman
Freddy Vinehill-CliffeMastering engineer Alan Silverman takes his musical expertise and applies it to music-oriented films, original article first appeared in Post Magazine.
Richard Aitken
Freddy Vinehill-CliffeRichard Aitken talks loudness for games and adapting to changes in the industry.
Jacques Boulanger
Freddy Vinehill-CliffeJacques Boulanger, Emmy Award-winning sound engineer, describes the challenge of upmixing Natalie Merchant's latest film project.
Keith Alexander
Tom GriffinMaster Engineer Keith Alexander reflects on TV, Radio, Film and Gaming audio post-production
Justin Fraser
Freddy Vinehill-CliffeJustin Fraser discusses loudness, and how he has incorporated it into his curriculum, original article first appeared in TV Tech magazine.
Nahuel Bronzini
Tom GriffinBrand’s Various Solutions Enhance Creativity and Set the Tone for GRAMMY® Award-winning Producer, Arranger and Engineer
Nic Hard and Fab Dupont
Tom GriffinSnarky Puppy's latest album mixed in Dolby Atmos
Peter McCabe
Freddy Vinehill-CliffeVeteran producer Peter McCabe explains how NUGEN Audio plug-ins have helped him to evolve with the times, original article first appeared in Broadcast Beat.
Veronica Ferraro
Freddy Vinehill-CliffeOur Q&A with an acclaimed mixing engineer, and CEO at French Audio Village.
Samuele Tezza
Freddy Vinehill-CliffeSamuele Tezza explains why SAMPLE relies on NUGEN Audio's LMB in post-production, original article first appeared in TV Bay.
Joe Barnett
Freddy Vinehill-CliffeRe-recording mixer Joe Barnett relies on Halo Upmix for 5.1, 7.1 and Atmos projects.
Tom Marks
Freddy Vinehill-CliffeTom Marks chats about technological shifts over the course of his career, and how these have led to him using Halo Upmix for his work.
Chris Fogel
Tom GriffinA Variety of the Brand’s Plug-ins Serve as Long-time, Essential Solutions for the Multiple Award-winning Recording and Mixing Engineer
Nartan Savona
Freddy Vinehill-CliffeThe owner/operator of Nartan Records utilizes NUGEN Audio software to create pristine audio and meet all streaming standards
Brian Riordan
Freddy Vinehill-CliffeMeeting 5.1 upmix challenges with Emmy Award-winner Brian Riordan, original article first appeared in Post Magazine.
Ruy Garcia
Freddy Vinehill-CliffeAward-winning Re-Recording Mixer, Sound Editor and Sound Designer Ruy Garcia uses Halo Upmix to preserve the character of the original audio
Jordan Schultz
Tom GriffinQ&A with mixing & mastering engineer Jordan Schultz
Robert Nation
Freddy Vinehill-CliffePreparing for the new world of loudness-normalization with audio veteran Robert Nation, NUGEN Audio tools have smoothed the way.
Friedemann Tischmeyer
Freddy Vinehill-CliffeRenowned mastering engineer Friedemann Tischmeyer talks mastering for today's distribution platforms and preserving dynamics with MasterCheck.
Angus Davidson
Tom GriffinParagon is a great reverb for everything, but I found it particularly helpful for small spaces.
Justin Merrill
Tom GriffinIf I have an Atmos mix, I'm definitely using Halo Upmix
Shoreline Studios
Freddy Vinehill-CliffeGary Zacuto and Garrard Whatley explain how they use NUGEN Audio’s ISL True Peak limiter in creating sound design for some of the world’s top game trailers.
Alexandra Fehrman
Tom GriffinPost-Production software provides flexibility, reliability for Alexandra Fehrman.
Jan ‘Stan’ Kybert
Freddy Vinehill-CliffeJan 'Stan' Kybert talks mixing with the left and right brain, original article first appeared in Audio Media Magazine.
Mike Prestwood-Smith
Freddy Vinehill-CliffeBAFTA winning re-recording mixer Mike Prestwood-Smith tells us about how he used Halo Upmix on Kingsman: The Golden Circle.
Phil McGowan
Tom GriffinMcGowan Soundworks talks best practices for score mixing on high-profile Netflix and YouTube projects
Alan Sallabank
Freddy Vinehill-CliffeAlan Sallabank describes how Halo Upmix saved the day for him, original article first appeared in Pro Tools Expert.
Vaudeville Sound Group
Tom GriffinSound design and mix house deploys NUGEN Audio for immersive sound projects and other applications since its inception.
Ali Stone
Tom GriffinParagon ST was perfect for 'Bola de Cristal'. It allowed me to give the sound the stereo image and amplitude it needed. The reverb in each track gave the song its sound.
Thom Egerton
Freddy Vinehill-CliffeWe chatted with Thom about God Damn's new self-produced album, and his favourite NUGEN plug-ins.
Nahuel Bronzini
Freddy Vinehill-CliffeNahuel Bronzini (Fantastic Negrito, Tony! Toni! Toné!) delivers GRAMMY-winning results with NUGEN Audio
Sreejesh Nair
Freddy Vinehill-CliffeRenowned Bollywood sound engineer Sreejesh Nair chooses Halo Upmix to produce a powerfully immersive upmix on a broad range of cinema projects.
Andy Bradfield
Freddy Vinehill-CliffeNUGEN Audio's Visualizer provides accurate metering for Grammy-nominated producer/mixer.
Alexandra Fehrman
Freddy Vinehill-CliffeA chat with Alexandra about how she got started in the industry, and how NUGEN fits into her workflow.
Mike Dean
Tom GriffinRenowned for his versatility in the studio, GRAMMY® Award-winning Record Producer Mike Dean is who the world’s biggest artists turn to for their production needs.
Jan Kybert
Freddy Vinehill-CliffeJan Kybert partners with London's Dean Street Studios to provide a new avenue of creativity for Dolby Atmos music mixing
Rafa Sardina
Freddy Vinehill-CliffeThirteen-time GRAMMY and Latin GRAMMY-winner selects NUGEN Audio's intuitive plug-ins for superior audio and control.
Peter Cole
Freddy Vinehill-CliffeWe chat with Emmy Award-winning re-recording mixer Peter Cole about integrating loudness targets into his workflow.
Mike Wyeld
Freddy Vinehill-CliffeMike Wyeld, award-winning filmmaker, sound designer and educator, describes how NUGEN Audio keeps RCA at the top of its game, original article first appeared in TV Bay.
Emma Butt
Freddy Vinehill-CliffeEmma Butt spoke with us about her beginnings in the audio industry, some favourite career moments, and how NUGEN Audio plug-ins fit in with her workflow.
Richard Addis
Freddy Vinehill-CliffeRichard Addis of HALO Post talks re-inventing audio loudness monitoring, original article first appeared in The Broadcast Bridge.
Alan Meyerson
Tom GriffinRenowned Sound Mixer Alan Meyerson relies on NUGEN Audio for high-profile projects
Lucy Mitchell
Freddy Vinehill-CliffeWe caught up with Lucy to chat about the shift to working freelance, and a few of her favourite NUGEN Audio plug-ins.
Germaine Franco
Tom GriffinBrand’s Plug-ins Serve as Go-to Solutions for Various Large-scale Film Projects, Including Encanto and Netflix’s The Mother
Mr Mig & Mike Rizzo
Freddy Vinehill-CliffeProduction duo Mr Mig & Mike Rizzo of Global Groove Entertainment talk to us about getting the bass to cut through a mix.
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