Justin Merrill
Tom GriffinIf I have an Atmos mix, I'm definitely using Halo Upmix
Jonathan Wales
Freddy Vinehill-CliffeNUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.
Richard Addis
Freddy Vinehill-CliffeRichard Addis of HALO Post talks re-inventing audio loudness monitoring, original article first appeared in The Broadcast Bridge.
Alan Sallabank
Freddy Vinehill-CliffeAlan Sallabank describes how Halo Upmix saved the day for him, original article first appeared in Pro Tools Expert.
Justin Fraser
Freddy Vinehill-CliffeJustin Fraser discusses loudness, and how he has incorporated it into his curriculum, original article first appeared in TV Tech magazine.
Hendrik Simoens
Freddy Vinehill-CliffeBelgian broadcaster Hendrik Simoens discusses loudness solutions and the importance of accurate measurements in the field.
Robert Nation
Freddy Vinehill-CliffePreparing for the new world of loudness-normalization with audio veteran Robert Nation, NUGEN Audio tools have smoothed the way.
Andy Bradfield
Freddy Vinehill-CliffeNUGEN Audio's Visualizer provides accurate metering for Grammy-nominated producer/mixer.
Dana James Presson
Tom GriffinComposer/Producer/Sound Designer Dana James Presson utilizes NUGEN's VisLM, ISL and Halo Upmix solutions
Terrance Dwyer
Freddy Vinehill-CliffeTerrance Dwyer describes how NUGEN Audio's ISL has streamlined his workflow, original article first appeared in Prensario Magazine.
Peter McCabe
Freddy Vinehill-CliffeVeteran producer Peter McCabe explains how NUGEN Audio plug-ins have helped him to evolve with the times, original article first appeared in Broadcast Beat.
Bill Evans
Freddy Vinehill-CliffeBill Evans - executive producer, engineer, and manager for progressive rock super group Flying Colors - has adopted Halo Upmix.
Frank Morrone
Tom GriffinLM-Correct, ISL and VisLM plug-ins have become essential parts of my workflow that I can’t do without
Sreejesh Nair
Freddy Vinehill-CliffeRenowned Bollywood sound engineer Sreejesh Nair chooses Halo Upmix to produce a powerfully immersive upmix on a broad range of cinema projects.
Metropolis Studio
Tom GriffinMetropolis Studio taps NUGEN Audio for immersive sound mixes
Rafa Sardina
Freddy Vinehill-CliffeThirteen-time GRAMMY and Latin GRAMMY-winner selects NUGEN Audio's intuitive plug-ins for superior audio and control.
Michael Stearns
Freddy Vinehill-CliffeFind out how sound designer Michael Stearns transformed mono recordings into a stereo film soundtrack using NUGEN tools.
Tom Marks
Freddy Vinehill-CliffeTom Marks chats about technological shifts over the course of his career, and how these have led to him using Halo Upmix for his work.
Samuele Tezza
Freddy Vinehill-CliffeSamuele Tezza explains why SAMPLE relies on NUGEN Audio's LMB in post-production, original article first appeared in TV Bay.
Armand Klenk
Freddy Vinehill-CliffeArmand Klenk on why he chooses to include NUGEN Audio's loudness tools in his curriculum, original article first appeared in 4rfv Magazine.
Simon Hill
Freddy Vinehill-CliffeSimon Hill utilizes NUGEN loudness and upmix plug-ins for TV and film projects
Phil McGowan
Tom GriffinMcGowan Soundworks talks best practices for score mixing on high-profile Netflix and YouTube projects
Emma Butt
Freddy Vinehill-CliffeEmma Butt spoke with us about her beginnings in the audio industry, some favourite career moments, and how NUGEN Audio plug-ins fit in with her workflow.
Sara Carter
Freddy Vinehill-CliffeWe heard all about what first sparked Sara's interest in the world of audio, as well as her thoughts on NUGEN.
Vaudeville Sound Group
Tom GriffinSound design and mix house deploys NUGEN Audio for immersive sound projects and other applications since its inception.
Jonathan Wales
Tom GriffinNUGEN Audio delivers unrestricted creativity and control for re-recording mixer Jonathan Wales.
Jonathan Wales
Tom GriffinThe Re-recording and Scoring Mixer Relies on NUGEN Audio Solutions to Create Unique Cinematic Experiences for Horror Fans Everywhere
Soya Soo
Tom GriffinUsing Stereoizer helps me make the mix sound wider so that the listener feels that same sense of space and dimension
Nick Fry
Freddy Vinehill-CliffeBuilding loudness into the mix with BAFTA winner Nick Fry, original article first appeared in TVB Europe.
Michael Phillips Keeley
Tom GriffinRe-recording mixer Michael Phillips Keeley relies on Halo Upmix for Dynamic Sound in the Planetarium’s latest immersive experience.
Shreyas Srinivas
Freddy Vinehill-CliffeNUGEN plug-ins enhance the mix without burying significant dialogue for Shreyas Srinivas.
Dave Isaac
Freddy Vinehill-CliffeGrammy Award-winner Dave Isaac describes how NUGEN Audio tools have enhanced his creative process, original article first appeared in Regional Film and Video.
Xandy Barry
Tom GriffinInside the mix with Xandy Barry
Eva Reistad
Tom GriffinNUGEN Audio Q&A with Globetrotting Mixing Engineer
Chris Rudall
Tom GriffinIn Demand Music takes up high-quality, compliant audio up a notch with NUGEN Audio
Shoreline Studios
Freddy Vinehill-CliffeGary Zacuto and Garrard Whatley explain how they use NUGEN Audio’s ISL True Peak limiter in creating sound design for some of the world’s top game trailers.
Jim Schultz & Michael Minkler
Freddy Vinehill-CliffeNUGEN fine-tunes mix for Tarantino's Once Upon A Time In Hollywood
Richard Sykes
Freddy Vinehill-CliffeFor Richard Sykes, NUGEN is top of the class.
Florian Camerer
Freddy Vinehill-CliffeLoudness standards and beyond, explained by Florian Camerer, original article first appeared in Resolution Magazine.
Cheryl Ottenritter
Freddy Vinehill-CliffeCheryl Ottenritter of Ott House Audio explains how NUGEN Audio products have changed her life, original article first appeared in Resolution Magazine.
Clint Murphy
Tom GriffinDolby Atmos-enabled CMP Studio tackles Immersive mixing with NUGEN Audio
Alan Silverman
Freddy Vinehill-CliffeMastering engineer Alan Silverman takes his musical expertise and applies it to music-oriented films, original article first appeared in Post Magazine.
David Bottrill & Ryan McCambridge
Tom GriffinProducers deem NUGEN's plug-ins essential tools for Mastodon's Hushed and Grim
Nahuel Bronzini
Tom GriffinBrand’s Various Solutions Enhance Creativity and Set the Tone for GRAMMY® Award-winning Producer, Arranger and Engineer
Bob Cooper
Freddy Vinehill-CliffeMixing/mastering engineer and music producer Bob Cooper shows us around The Chairworks, and explains how NUGEN Audio's SEQ-S fits into his workflow.
Mike Wyeld
Freddy Vinehill-CliffeMike Wyeld, award-winning filmmaker, sound designer and educator, describes how NUGEN Audio keeps RCA at the top of its game, original article first appeared in TV Bay.
Peter Cole
Freddy Vinehill-CliffeWe chat with Emmy Award-winning re-recording mixer Peter Cole about integrating loudness targets into his workflow.
Nic Hard and Fab Dupont
Tom GriffinSnarky Puppy's latest album mixed in Dolby Atmos
Jett Galindo
Tom GriffinI had to completely rely on my plug-ins to ensure the choral experience translated to how they sounded live, and I accomplished this beautifully with Paragon.
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