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MUSIC PRODUCTION

POST PRODUCTION

SIGMOD

Armand Klenk on why he chooses to include NUGEN Audio's loudness tools in his curriculum, original article first appeared in 4rfv Magazine.

American History X, Austin Powers: The Spy Who Shagged Me, Iron Fist

Re-recording mixer Joe Barnett relies on Halo Upmix for 5.1, 7.1 and Atmos projects.

Nocturnal Animals, Jamie's Quick and Easy Food, Toast of London

Richard Addis of HALO Post talks re-inventing audio loudness monitoring, original article first appeared in The Broadcast Bridge.

Austin City Limits

David Hough explains why he uses NUGEN Audio's VisLM to keep his programs CALM-compliant and meet strict PBS specs.

Futurama, Pee-wee’s Playhouse, Max Headroom

We chat with Emmy Award-winning re-recording mixer Peter Cole about integrating loudness targets into his workflow.

Husky Höskulds

Norah Jones, Fantomas, Elvis Costello

Husky Höskulds discusses flexible workflows using NUGEN plug-ins.

Michael Phillips Keeley

Michael Phillips Keeley

Michael Phillips Keeley utilized NUGEN plug-ins to perfect the sound for SpaceX documentary

Aerosmith, U2, Red Hot Chili Peppers

We catch up with Howie Weinberg in his Los Angeles studio to discuss mastering for the internet age with MasterCheck Pro.

Nicki Minaj, Sean Paul, Rita Ora

Q&A with mixing & mastering engineer Jordan Schultz

Florian Camerer

Florian Camerer

Vienna Philharmonic Orchestra

Loudness standards and beyond, explained by Florian Camerer, original article first appeared in Resolution Magazine.

Tom Marks chats about technological shifts over the course of his career, and how these have led to him using Halo Upmix for his work.

Boyz II Men, Tyrese, Brandy

NUGEN Producer bundle and Loudness Toolkit are a mainstay in mix engineer Jorel Corpus' toolbox.

Ross Kemp: Extreme World, Louis Theroux's LA Stories

Building loudness into the mix with BAFTA winner Nick Fry, original article first appeared in TVB Europe.

Finding Dory, LCD Soundsystem Live at MSG

Alan Sallabank describes how Halo Upmix saved the day for him, original article first appeared in Pro Tools Expert.

Running with Beto, Shipping Wars

NUGEN plug-ins create a smooth workflow and worry-free operation for Korey Pereira.

Shoreline Studios

Gary Zacuto and Garrard Whatley

Shoreline Studios

Gary Zacuto and Garrard Whatley explain how they use NUGEN Audio’s ISL True Peak limiter in creating sound design for some of the world’s top game trailers.

American Idol, Flight of the Conchords, Drunk History, Top Gear

Meeting 5.1 upmix challenges with Emmy Award-winner Brian Riordan, original article first appeared in Post Magazine.

Flying Colors, Kansas

Bill Evans - executive producer, engineer, and manager for progressive rock super group Flying Colors - has adopted Halo Upmix.

Ayako Yamauchi calls on NUGEN Post for gaming and streaming projects

Christoph Thompson

Christoph Thompson

Ball State University

Ball State University calls on NUGEN Audio's Loudness Toolkit for special Netflix research project

Royal College of Art

Mike Wyeld, award-winning filmmaker, sound designer and educator, describes how NUGEN Audio keeps RCA at the top of its game, original article first appeared in TV Bay.

Renowned Bollywood sound engineer Sreejesh Nair chooses Halo Upmix to produce a powerfully immersive upmix on a broad range of cinema projects.

The Great Gatsby, Moulin Rouge

NUGEN Audio's Visualizer provides accurate metering for Grammy-nominated producer/mixer.

Nai Harvest, Nervus, Cultdreams, itoldyouiwouldeatyou

Mixing/mastering engineer and music producer Bob Cooper shows us around The Chairworks, and explains how NUGEN Audio's SEQ-S fits into his workflow.

Beyoncé, Macy Gray, Mary J. Blige

Grammy Award-winning engineer Dave Pensado gives some tips on stereo widening, including his thoughts on NUGEN’s Stereoizer plug-in.

Deadliest Catch, Honey Boo Boo, Horrible Histories

Stress-free upmixing with Jeff Mullen of Sonichead, original article first appeared in Pro Sound News.

Mike Prestwood-Smith

Mike Prestwood-Smith

Billy Elliot, Casino Royale, The Hunger Games

BAFTA winning re-recording mixer Mike Prestwood-Smith tells us about how he used Halo Upmix on Kingsman: The Golden Circle.

Aufaferix, Dean Street Studios

Jan Kybert partners with London's Dean Street Studios to provide a new avenue of creativity for Dolby Atmos music mixing

Later... With Jools Holland

BAFTA-nominated engineer Mike Felton talks about how loudness regulations have affected his work, original article first appeared in TVB Europe.

Storybook Sound

Scott Anthony talks integrating Halo Upmix into his workflow.

Jacques Boulanger

Jacques Boulanger

Creative Audio Post

Jacques Boulanger, Emmy Award-winning sound engineer, describes the challenge of upmixing Natalie Merchant's latest film project.

Game of Thrones, Doctor Who, Handsome

Emma Butt spoke with us about her beginnings in the audio industry, some favourite career moments, and how NUGEN Audio plug-ins fit in with her workflow.

Kung Fu Panda, Kingsman, Eddie the Eagle

NUGEN delivers deeper workflow control for mix engineer Alvin Wee.

deadmau5, Tegan and Sara, HIM

Grammy-nominated dance music producer, DJ and prolific remixer Morgan Page takes time out before a Pacha set to talk to us about kick-drums, space and mono-compatible mixes.

Trevor Horn, Seal, Genesis

Justin Fraser discusses loudness, and how he has incorporated it into his curriculum, original article first appeared in TV Tech magazine.

Simon Hill utilizes NUGEN loudness and upmix plug-ins for TV and film projects

Special Broadcasting Service, Australia

Ben Feggans talks us through using VisLM for effective multilingual loudness management, original article first appeared in AP Broadcast.

DELTA Soundworks

DELTA Soundworks

An in-depth Q&A with Ana Monte (lead sound designer) and Daniel Deboy (lead sound engineer), co-founders of DELTA Soundworks

Southern Cross Austero

Engineer Steven Fox explains how LM-Correct helps him hit loudness targets every time, original article first appeared in C&T Asia.

Cheryl Ottenritter

Cheryl Ottenritter

National Geographic, Smithsonian Channel

Cheryl Ottenritter of Ott House Audio explains how NUGEN Audio products have changed her life, original article first appeared in Resolution Magazine.

Shawn Mendes, Rihanna, Drake

Juno winning mix engineer George Seara talks to us about empowering artists, creative workflows and why he chooses NUGEN Audio.

Survivor, Fear Factor, Total Wipeout USA

Terrance Dwyer describes how NUGEN Audio's ISL has streamlined his workflow, original article first appeared in Prensario Magazine.

Samuele Tezza explains why SAMPLE relies on NUGEN Audio's LMB in post-production, original article first appeared in TV Bay.

Midsommar, Wendy, Boardwalk Empire

Award-winning Re-Recording Mixer, Sound Editor and Sound Designer Ruy Garcia uses Halo Upmix to preserve the character of the original audio

Up, Michael Moore's Sicko

Preparing for the new world of loudness-normalization with audio veteran Robert Nation, NUGEN Audio tools have smoothed the way.

Aretha Franklin, Stevie Wonder

Grammy Award-winner Dave Isaac describes how NUGEN Audio tools have enhanced his creative process, original article first appeared in Regional Film and Video.

The Haunting of Hill House, Get Out, Meet the Parents

NUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.

Friedemann Tischmeyer

Friedemann Tischmeyer

Steely Dan, Johnny Cash, Audio Mastering Trilogy

Renowned mastering engineer Friedemann Tischmeyer talks mastering for today's distribution platforms and preserving dynamics with MasterCheck.

Rising Free, Top Gear, Derry Girls

We caught up with Lucy to chat about the shift to working freelance, and a few of her favourite NUGEN Audio plug-ins.

The owner/operator of Nartan Records utilizes NUGEN Audio software to create pristine audio and meet all streaming standards