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Trevor Horn, Seal, Genesis

Justin Fraser discusses loudness, and how he has incorporated it into his curriculum, original article first appeared in TV Tech magazine.

Jan ‘Stan’ Kybert

Jan 'Stan' Kybert

Oasis, Paul Weller, Björk

Jan 'Stan' Kybert talks mixing with the left and right brain, original article first appeared in Audio Media Magazine.

Up, Michael Moore's Sicko

Preparing for the new world of loudness-normalization with audio veteran Robert Nation, NUGEN Audio tools have smoothed the way.

Ayako Yamauchi calls on NUGEN Post for gaming and streaming projects

Midsommar, Wendy, Boardwalk Empire

Award-winning Re-Recording Mixer, Sound Editor and Sound Designer Ruy Garcia uses Halo Upmix to preserve the character of the original audio

Far Cry 2, Clumsy Ninja, Driv3r

Richard Aitken talks loudness for games and adapting to changes in the industry.

Aretha Franklin, Stevie Wonder

Grammy Award-winner Dave Isaac describes how NUGEN Audio tools have enhanced his creative process, original article first appeared in Regional Film and Video.

Nocturnal Animals, Jamie's Quick and Easy Food, Toast of London

Richard Addis of HALO Post talks re-inventing audio loudness monitoring, original article first appeared in The Broadcast Bridge.

Later... With Jools Holland

BAFTA-nominated engineer Mike Felton talks about how loudness regulations have affected his work, original article first appeared in TVB Europe.

Travel Man, Great Canal Journeys, Classic Albums

Kate sat down to talk us through her career beginnings, and some of her most impactful recent projects. She also had some nice things to say about NUGEN Audio’s Loudness Toolkit!

The Great Gatsby, Moulin Rouge

NUGEN Audio's Visualizer provides accurate metering for Grammy-nominated producer/mixer.

Friedemann Tischmeyer

Friedemann Tischmeyer

Steely Dan, Johnny Cash, Audio Mastering Trilogy

Renowned mastering engineer Friedemann Tischmeyer talks mastering for today's distribution platforms and preserving dynamics with MasterCheck.

Shoreline Studios

Gary Zacuto and Garrard Whatley

Shoreline Studios

Gary Zacuto and Garrard Whatley explain how they use NUGEN Audio’s ISL True Peak limiter in creating sound design for some of the world’s top game trailers.

Running with Beto, Shipping Wars

NUGEN plug-ins create a smooth workflow and worry-free operation for Korey Pereira.

Michael Phillips Keeley

Michael Phillips Keeley

Michael Phillips Keeley utilized NUGEN plug-ins to perfect the sound for SpaceX documentary

Storybook Sound

Scott Anthony talks integrating Halo Upmix into his workflow.

Mr Mig & Mike Rizzo

Mr Mig & Mike Rizzo

Cher, Lady Gaga, Taylor Swift

Production duo Mr Mig & Mike Rizzo of Global Groove Entertainment talk to us about getting the bass to cut through a mix.

Rising Free, Top Gear, Derry Girls

We caught up with Lucy to chat about the shift to working freelance, and a few of her favourite NUGEN Audio plug-ins.

Deadliest Catch, Honey Boo Boo, Horrible Histories

Stress-free upmixing with Jeff Mullen of Sonichead, original article first appeared in Pro Sound News.

Michael Stearns

Michael Stearns

Zydeco Breakfast

Find out how sound designer Michael Stearns transformed mono recordings into a stereo film soundtrack using NUGEN tools.

Nahuel Bronzini

Nahuel Bronzini

Fantastic Negrito, Tony! Toni! Toné!

Nahuel Bronzini (Fantastic Negrito, Tony! Toni! Toné!) delivers GRAMMY-winning results with NUGEN Audio

Armand Klenk on why he chooses to include NUGEN Audio's loudness tools in his curriculum, original article first appeared in 4rfv Magazine.

Aerosmith, U2, Red Hot Chili Peppers

We catch up with Howie Weinberg in his Los Angeles studio to discuss mastering for the internet age with MasterCheck Pro.

Flying Colors, Kansas

Bill Evans - executive producer, engineer, and manager for progressive rock super group Flying Colors - has adopted Halo Upmix.

Husky Höskulds

Norah Jones, Fantomas, Elvis Costello

Husky Höskulds discusses flexible workflows using NUGEN plug-ins.

Simon Hill utilizes NUGEN loudness and upmix plug-ins for TV and film projects

deadmau5, Tegan and Sara, HIM

Grammy-nominated dance music producer, DJ and prolific remixer Morgan Page takes time out before a Pacha set to talk to us about kick-drums, space and mono-compatible mixes.

Tom Marks chats about technological shifts over the course of his career, and how these have led to him using Halo Upmix for his work.

Shreyas Srinivas

Shreyas Srinivas

Discharge, Chase, Tiger Zina Hai

NUGEN plug-ins enhance the mix without burying significant dialogue for Shreyas Srinivas.

Futurama, Pee-wee’s Playhouse, Max Headroom

We chat with Emmy Award-winning re-recording mixer Peter Cole about integrating loudness targets into his workflow.

University of York

For Richard Sykes, NUGEN is top of the class.

Ed Sheeran, Christina Aguilera, Lady Gaga

NUGEN Audio's elite plug-ins deliver deeper control for producer/mixer Tre Nagella

Hendrik Simoens

Hendrik Simoens

Flemish Radio and Television Network Organization

Belgian broadcaster Hendrik Simoens discusses loudness solutions and the importance of accurate measurements in the field.

Jacques Boulanger

Jacques Boulanger

Creative Audio Post

Jacques Boulanger, Emmy Award-winning sound engineer, describes the challenge of upmixing Natalie Merchant's latest film project.

Beyoncé, Macy Gray, Mary J. Blige

Grammy Award-winning engineer Dave Pensado gives some tips on stereo widening, including his thoughts on NUGEN’s Stereoizer plug-in.

Ryse: Son of Rome, Far Cry, The Crysis

We hear from Crytek's Simon Pressey about delivering a high-quality gaming experience using NUGEN Audio's loudness tools.

Kiss, Paul McCartney, Ricky Martin

Veteran producer Peter McCabe explains how NUGEN Audio plug-ins have helped him to evolve with the times, original article first appeared in Broadcast Beat.

Samuele Tezza explains why SAMPLE relies on NUGEN Audio's LMB in post-production, original article first appeared in TV Bay.

Survivor, Fear Factor, Total Wipeout USA

Terrance Dwyer describes how NUGEN Audio's ISL has streamlined his workflow, original article first appeared in Prensario Magazine.

DELTA Soundworks

DELTA Soundworks

An in-depth Q&A with Ana Monte (lead sound designer) and Daniel Deboy (lead sound engineer), co-founders of DELTA Soundworks

Special Broadcasting Service, Australia

Ben Feggans talks us through using VisLM for effective multilingual loudness management, original article first appeared in AP Broadcast.

Mike Prestwood-Smith

Mike Prestwood-Smith

Billy Elliot, Casino Royale, The Hunger Games

BAFTA winning re-recording mixer Mike Prestwood-Smith tells us about how he used Halo Upmix on Kingsman: The Golden Circle.

Mark Henry Phillips

Mark Henry Phillips

Mark Henry Phillips explains how VisLM and ISL both fit into his workflow.

Florian Camerer

Florian Camerer

Vienna Philharmonic Orchestra

Loudness standards and beyond, explained by Florian Camerer, original article first appeared in Resolution Magazine.

Royal College of Art

Mike Wyeld, award-winning filmmaker, sound designer and educator, describes how NUGEN Audio keeps RCA at the top of its game, original article first appeared in TV Bay.

Game of Thrones, Doctor Who, Handsome

Emma Butt spoke with us about her beginnings in the audio industry, some favourite career moments, and how NUGEN Audio plug-ins fit in with her workflow.

The Haunting of Hill House, Get Out, Meet the Parents

NUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.

Kung Fu Panda, Kingsman, Eddie the Eagle

NUGEN delivers deeper workflow control for mix engineer Alvin Wee.

Finding Dory, LCD Soundsystem Live at MSG

Alan Sallabank describes how Halo Upmix saved the day for him, original article first appeared in Pro Tools Expert.

Austin City Limits

David Hough explains why he uses NUGEN Audio's VisLM to keep his programs CALM-compliant and meet strict PBS specs.