Armand Klenk
Freddy Vinehill-CliffeArmand Klenk on why he chooses to include NUGEN Audio's loudness tools in his curriculum, original article first appeared in 4rfv Magazine.
Joe Barnett
Freddy Vinehill-CliffeRe-recording mixer Joe Barnett relies on Halo Upmix for 5.1, 7.1 and Atmos projects.
Richard Addis
Freddy Vinehill-CliffeRichard Addis of HALO Post talks re-inventing audio loudness monitoring, original article first appeared in The Broadcast Bridge.
David Hough
Freddy Vinehill-CliffeDavid Hough explains why he uses NUGEN Audio's VisLM to keep his programs CALM-compliant and meet strict PBS specs.
Peter Cole
Freddy Vinehill-CliffeWe chat with Emmy Award-winning re-recording mixer Peter Cole about integrating loudness targets into his workflow.
Husky Höskulds
Freddy Vinehill-CliffeHusky Höskulds discusses flexible workflows using NUGEN plug-ins.
Michael Phillips Keeley
Freddy Vinehill-CliffeMichael Phillips Keeley utilized NUGEN plug-ins to perfect the sound for SpaceX documentary
Howie Weinberg
Freddy Vinehill-CliffeWe catch up with Howie Weinberg in his Los Angeles studio to discuss mastering for the internet age with MasterCheck Pro.
Jordan Schultz
Tom GriffinQ&A with mixing & mastering engineer Jordan Schultz
Florian Camerer
Freddy Vinehill-CliffeLoudness standards and beyond, explained by Florian Camerer, original article first appeared in Resolution Magazine.
Tom Marks
Freddy Vinehill-CliffeTom Marks chats about technological shifts over the course of his career, and how these have led to him using Halo Upmix for his work.
Jorel Corpus
Freddy Vinehill-CliffeNUGEN Producer bundle and Loudness Toolkit are a mainstay in mix engineer Jorel Corpus' toolbox.
Nick Fry
Freddy Vinehill-CliffeBuilding loudness into the mix with BAFTA winner Nick Fry, original article first appeared in TVB Europe.
Alan Sallabank
Freddy Vinehill-CliffeAlan Sallabank describes how Halo Upmix saved the day for him, original article first appeared in Pro Tools Expert.
Korey Pereira
Freddy Vinehill-CliffeNUGEN plug-ins create a smooth workflow and worry-free operation for Korey Pereira.
Shoreline Studios
Freddy Vinehill-CliffeGary Zacuto and Garrard Whatley explain how they use NUGEN Audio’s ISL True Peak limiter in creating sound design for some of the world’s top game trailers.
Brian Riordan
Freddy Vinehill-CliffeMeeting 5.1 upmix challenges with Emmy Award-winner Brian Riordan, original article first appeared in Post Magazine.
Bill Evans
Freddy Vinehill-CliffeBill Evans - executive producer, engineer, and manager for progressive rock super group Flying Colors - has adopted Halo Upmix.
Ayako Yamauchi
Freddy Vinehill-CliffeAyako Yamauchi calls on NUGEN Post for gaming and streaming projects
Christoph Thompson
Freddy Vinehill-CliffeBall State University calls on NUGEN Audio's Loudness Toolkit for special Netflix research project
Mike Wyeld
Freddy Vinehill-CliffeMike Wyeld, award-winning filmmaker, sound designer and educator, describes how NUGEN Audio keeps RCA at the top of its game, original article first appeared in TV Bay.
Sreejesh Nair
Freddy Vinehill-CliffeRenowned Bollywood sound engineer Sreejesh Nair chooses Halo Upmix to produce a powerfully immersive upmix on a broad range of cinema projects.
Andy Bradfield
Freddy Vinehill-CliffeNUGEN Audio's Visualizer provides accurate metering for Grammy-nominated producer/mixer.
Bob Cooper
Freddy Vinehill-CliffeMixing/mastering engineer and music producer Bob Cooper shows us around The Chairworks, and explains how NUGEN Audio's SEQ-S fits into his workflow.
Dave Pensado
Freddy Vinehill-CliffeGrammy Award-winning engineer Dave Pensado gives some tips on stereo widening, including his thoughts on NUGEN’s Stereoizer plug-in.
Jeff Mullen
Freddy Vinehill-CliffeStress-free upmixing with Jeff Mullen of Sonichead, original article first appeared in Pro Sound News.
Mike Prestwood-Smith
Freddy Vinehill-CliffeBAFTA winning re-recording mixer Mike Prestwood-Smith tells us about how he used Halo Upmix on Kingsman: The Golden Circle.
Jan Kybert
Freddy Vinehill-CliffeJan Kybert partners with London's Dean Street Studios to provide a new avenue of creativity for Dolby Atmos music mixing
Mike Felton
Freddy Vinehill-CliffeBAFTA-nominated engineer Mike Felton talks about how loudness regulations have affected his work, original article first appeared in TVB Europe.
Scott Anthony
Freddy Vinehill-CliffeScott Anthony talks integrating Halo Upmix into his workflow.
Jacques Boulanger
Freddy Vinehill-CliffeJacques Boulanger, Emmy Award-winning sound engineer, describes the challenge of upmixing Natalie Merchant's latest film project.
Emma Butt
Freddy Vinehill-CliffeEmma Butt spoke with us about her beginnings in the audio industry, some favourite career moments, and how NUGEN Audio plug-ins fit in with her workflow.
Alvin Wee
Freddy Vinehill-CliffeNUGEN delivers deeper workflow control for mix engineer Alvin Wee.
Morgan Page
Freddy Vinehill-CliffeGrammy-nominated dance music producer, DJ and prolific remixer Morgan Page takes time out before a Pacha set to talk to us about kick-drums, space and mono-compatible mixes.
Justin Fraser
Freddy Vinehill-CliffeJustin Fraser discusses loudness, and how he has incorporated it into his curriculum, original article first appeared in TV Tech magazine.
Simon Hill
Freddy Vinehill-CliffeSimon Hill utilizes NUGEN loudness and upmix plug-ins for TV and film projects
Ben Feggans
Freddy Vinehill-CliffeBen Feggans talks us through using VisLM for effective multilingual loudness management, original article first appeared in AP Broadcast.
DELTA Soundworks
Freddy Vinehill-CliffeAn in-depth Q&A with Ana Monte (lead sound designer) and Daniel Deboy (lead sound engineer), co-founders of DELTA Soundworks
Steven Fox
Freddy Vinehill-CliffeEngineer Steven Fox explains how LM-Correct helps him hit loudness targets every time, original article first appeared in C&T Asia.
Cheryl Ottenritter
Freddy Vinehill-CliffeCheryl Ottenritter of Ott House Audio explains how NUGEN Audio products have changed her life, original article first appeared in Resolution Magazine.
George Seara
Freddy Vinehill-CliffeJuno winning mix engineer George Seara talks to us about empowering artists, creative workflows and why he chooses NUGEN Audio.
Terrance Dwyer
Freddy Vinehill-CliffeTerrance Dwyer describes how NUGEN Audio's ISL has streamlined his workflow, original article first appeared in Prensario Magazine.
Samuele Tezza
Freddy Vinehill-CliffeSamuele Tezza explains why SAMPLE relies on NUGEN Audio's LMB in post-production, original article first appeared in TV Bay.
Ruy Garcia
Freddy Vinehill-CliffeAward-winning Re-Recording Mixer, Sound Editor and Sound Designer Ruy Garcia uses Halo Upmix to preserve the character of the original audio
Robert Nation
Freddy Vinehill-CliffePreparing for the new world of loudness-normalization with audio veteran Robert Nation, NUGEN Audio tools have smoothed the way.
Dave Isaac
Freddy Vinehill-CliffeGrammy Award-winner Dave Isaac describes how NUGEN Audio tools have enhanced his creative process, original article first appeared in Regional Film and Video.
Jonathan Wales
Freddy Vinehill-CliffeNUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.
Friedemann Tischmeyer
Freddy Vinehill-CliffeRenowned mastering engineer Friedemann Tischmeyer talks mastering for today's distribution platforms and preserving dynamics with MasterCheck.
Lucy Mitchell
Freddy Vinehill-CliffeWe caught up with Lucy to chat about the shift to working freelance, and a few of her favourite NUGEN Audio plug-ins.
Nartan Savona
Freddy Vinehill-CliffeThe owner/operator of Nartan Records utilizes NUGEN Audio software to create pristine audio and meet all streaming standards
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