Christoph Thompson
Freddy Vinehill-CliffeBall State University calls on NUGEN Audio's Loudness Toolkit for special Netflix research project
Mike Wyeld
Freddy Vinehill-CliffeMike Wyeld, award-winning filmmaker, sound designer and educator, describes how NUGEN Audio keeps RCA at the top of its game, original article first appeared in TV Bay.
Studio Chelia
Tom GriffinBosnia's Studio Chelia utilizes complete NUGEN Audio Post Bundle.
Hendrik Simoens
Freddy Vinehill-CliffeBelgian broadcaster Hendrik Simoens discusses loudness solutions and the importance of accurate measurements in the field.
Soya Soo
Tom GriffinUsing Stereoizer helps me make the mix sound wider so that the listener feels that same sense of space and dimension
Jonathan Garcia
Tom GriffinJett Galindo
Tom GriffinI had to completely rely on my plug-ins to ensure the choral experience translated to how they sounded live, and I accomplished this beautifully with Paragon.
Florian Camerer
Freddy Vinehill-CliffeLoudness standards and beyond, explained by Florian Camerer, original article first appeared in Resolution Magazine.
Jan Kybert
Freddy Vinehill-CliffeJan Kybert partners with London's Dean Street Studios to provide a new avenue of creativity for Dolby Atmos music mixing
Friedemann Tischmeyer
Freddy Vinehill-CliffeRenowned mastering engineer Friedemann Tischmeyer talks mastering for today's distribution platforms and preserving dynamics with MasterCheck.
Mike Felton
Freddy Vinehill-CliffeBAFTA-nominated engineer Mike Felton talks about how loudness regulations have affected his work, original article first appeared in TVB Europe.
Ayako Yamauchi
Freddy Vinehill-CliffeAyako Yamauchi calls on NUGEN Post for gaming and streaming projects
James Wichall
Tom GriffinNUGEN Audio loudness plug-ins prove essential for re-recording mixer James Wichall
Thom Egerton
Freddy Vinehill-CliffeWe chatted with Thom about God Damn's new self-produced album, and his favourite NUGEN plug-ins.
Alexandra Fehrman
Tom GriffinPost-Production software provides flexibility, reliability for Alexandra Fehrman.
Jonathan Wales
Tom GriffinThe Re-recording and Scoring Mixer Relies on NUGEN Audio Solutions to Create Unique Cinematic Experiences for Horror Fans Everywhere
Metropolis Studio
Tom GriffinMetropolis Studio taps NUGEN Audio for immersive sound mixes
Nic Hard and Fab Dupont
Tom GriffinSnarky Puppy's latest album mixed in Dolby Atmos
Samuele Tezza
Freddy Vinehill-CliffeSamuele Tezza explains why SAMPLE relies on NUGEN Audio's LMB in post-production, original article first appeared in TV Bay.
Justin Fraser
Freddy Vinehill-CliffeJustin Fraser discusses loudness, and how he has incorporated it into his curriculum, original article first appeared in TV Tech magazine.
Bill Evans
Freddy Vinehill-CliffeBill Evans - executive producer, engineer, and manager for progressive rock super group Flying Colors - has adopted Halo Upmix.
Justin Merrill
Tom GriffinIf I have an Atmos mix, I'm definitely using Halo Upmix
Alvin Wee
Freddy Vinehill-CliffeNUGEN delivers deeper workflow control for mix engineer Alvin Wee.
Jacques Boulanger
Freddy Vinehill-CliffeJacques Boulanger, Emmy Award-winning sound engineer, describes the challenge of upmixing Natalie Merchant's latest film project.
Mike Dean
Tom GriffinRenowned for his versatility in the studio, GRAMMY® Award-winning Record Producer Mike Dean is who the world’s biggest artists turn to for their production needs.
Ruy Garcia
Freddy Vinehill-CliffeAward-winning Re-Recording Mixer, Sound Editor and Sound Designer Ruy Garcia uses Halo Upmix to preserve the character of the original audio
Rich Aitken
Tom GriffinNUGEN Audio proves essential to Rich Aitken's TV, film & game sound mixing
Tre Nagella
Freddy Vinehill-CliffeNUGEN Audio's elite plug-ins deliver deeper control for producer/mixer Tre Nagella
Richard Aitken
Freddy Vinehill-CliffeRichard Aitken talks loudness for games and adapting to changes in the industry.
Sara Carter
Freddy Vinehill-CliffeWe heard all about what first sparked Sara's interest in the world of audio, as well as her thoughts on NUGEN.
Jordan Schultz
Tom GriffinQ&A with mixing & mastering engineer Jordan Schultz
Jonathan Wales
Freddy Vinehill-CliffeNUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.
George Seara
Freddy Vinehill-CliffeJuno winning mix engineer George Seara talks to us about empowering artists, creative workflows and why he chooses NUGEN Audio.
Nartan Savona
Freddy Vinehill-CliffeThe owner/operator of Nartan Records utilizes NUGEN Audio software to create pristine audio and meet all streaming standards
Vaudeville Sound Group
Tom GriffinSound design and mix house deploys NUGEN Audio for immersive sound projects and other applications since its inception.
Peter Cole
Freddy Vinehill-CliffeWe chat with Emmy Award-winning re-recording mixer Peter Cole about integrating loudness targets into his workflow.
Angus Davidson
Tom GriffinParagon is a great reverb for everything, but I found it particularly helpful for small spaces.
David Hough
Freddy Vinehill-CliffeDavid Hough explains why he uses NUGEN Audio's VisLM to keep his programs CALM-compliant and meet strict PBS specs.
Kate Davis
Freddy Vinehill-CliffeKate sat down to talk us through her career beginnings, and some of her most impactful recent projects. She also had some nice things to say about NUGEN Audio’s Loudness Toolkit!
Alan Sallabank
Freddy Vinehill-CliffeAlan Sallabank describes how Halo Upmix saved the day for him, original article first appeared in Pro Tools Expert.
Rafa Sardina
Freddy Vinehill-CliffeThirteen-time GRAMMY and Latin GRAMMY-winner selects NUGEN Audio's intuitive plug-ins for superior audio and control.
Chris Rudall
Tom GriffinIn Demand Music takes up high-quality, compliant audio up a notch with NUGEN Audio
Audrey Martinovich
Freddy Vinehill-CliffeAudrey spoke to us recently about her journey from soprano opera singer to recording engineer.
Michael Stearns
Freddy Vinehill-CliffeFind out how sound designer Michael Stearns transformed mono recordings into a stereo film soundtrack using NUGEN tools.
Nick Squillante
Tom GriffinNick “Squids” Squillante taps NUGEN Audio for Dolby Atmos mixes.
Alexandra Fehrman
Freddy Vinehill-CliffeA chat with Alexandra about how she got started in the industry, and how NUGEN fits into her workflow.
Chris Fogel
Tom GriffinELBO Studios implements NUGEN Audio for wide array of music and film scoring projects.
Jan ‘Stan’ Kybert
Freddy Vinehill-CliffeJan 'Stan' Kybert talks mixing with the left and right brain, original article first appeared in Audio Media Magazine.
Frank Morrone
Tom GriffinLM-Correct, ISL and VisLM plug-ins have become essential parts of my workflow that I can’t do without
Bob Cooper
Freddy Vinehill-CliffeMixing/mastering engineer and music producer Bob Cooper shows us around The Chairworks, and explains how NUGEN Audio's SEQ-S fits into his workflow.
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