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User Stories

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Trevor Horn, Seal, Genesis

Justin Fraser discusses loudness, and how he has incorporated it into his curriculum, original article first appeared in TV Tech magazine.

Nai Harvest, Nervus, Cultdreams, itoldyouiwouldeatyou

Mixing/mastering engineer and music producer Bob Cooper shows us around The Chairworks, and explains how NUGEN Audio's SEQ-S fits into his workflow.

Boyz II Men, Tyrese, Brandy

NUGEN Producer bundle and Loudness Toolkit are a mainstay in mix engineer Jorel Corpus' toolbox.

Later... With Jools Holland

BAFTA-nominated engineer Mike Felton talks about how loudness regulations have affected his work, original article first appeared in TVB Europe.

Flying Colors, Kansas

Bill Evans - executive producer, engineer, and manager for progressive rock super group Flying Colors - has adopted Halo Upmix.

Tom Marks chats about technological shifts over the course of his career, and how these have led to him using Halo Upmix for his work.

Mike Prestwood-Smith

Mike Prestwood-Smith

Billy Elliot, Casino Royale, The Hunger Games

BAFTA winning re-recording mixer Mike Prestwood-Smith tells us about how he used Halo Upmix on Kingsman: The Golden Circle.

Futurama, Pee-wee’s Playhouse, Max Headroom

We chat with Emmy Award-winning re-recording mixer Peter Cole about integrating loudness targets into his workflow.

Game of Thrones, Doctor Who, Handsome

Emma Butt spoke with us about her beginnings in the audio industry, some favourite career moments, and how NUGEN Audio plug-ins fit in with her workflow.

Ed Sheeran, Christina Aguilera, Lady Gaga

NUGEN Audio's elite plug-ins deliver deeper control for producer/mixer Tre Nagella

Florian Camerer

Florian Camerer

Vienna Philharmonic Orchestra

Loudness standards and beyond, explained by Florian Camerer, original article first appeared in Resolution Magazine.

Stevie Wonder, Lady Gaga, Dr. Dre

Thirteen-time GRAMMY and Latin GRAMMY-winner selects NUGEN Audio's intuitive plug-ins for superior audio and control.

Travel Man, Great Canal Journeys, Classic Albums

Kate sat down to talk us through her career beginnings, and some of her most impactful recent projects. She also had some nice things to say about NUGEN Audio’s Loudness Toolkit!

Mark Henry Phillips

Mark Henry Phillips

Mark Henry Phillips explains how VisLM and ISL both fit into his workflow.

Michael Stearns

Michael Stearns

Zydeco Breakfast

Find out how sound designer Michael Stearns transformed mono recordings into a stereo film soundtrack using NUGEN tools.

Deadliest Catch, Honey Boo Boo, Horrible Histories

Stress-free upmixing with Jeff Mullen of Sonichead, original article first appeared in Pro Sound News.

Finding Dory, LCD Soundsystem Live at MSG

Alan Sallabank describes how Halo Upmix saved the day for him, original article first appeared in Pro Tools Expert.

Friedemann Tischmeyer

Friedemann Tischmeyer

Steely Dan, Johnny Cash, Audio Mastering Trilogy

Renowned mastering engineer Friedemann Tischmeyer talks mastering for today's distribution platforms and preserving dynamics with MasterCheck.

Running with Beto, Shipping Wars

NUGEN plug-ins create a smooth workflow and worry-free operation for Korey Pereira.

Mr Mig & Mike Rizzo

Mr Mig & Mike Rizzo

Cher, Lady Gaga, Taylor Swift

Production duo Mr Mig & Mike Rizzo of Global Groove Entertainment talk to us about getting the bass to cut through a mix.

Royal College of Art

Mike Wyeld, award-winning filmmaker, sound designer and educator, describes how NUGEN Audio keeps RCA at the top of its game, original article first appeared in TV Bay.

Jan ‘Stan’ Kybert

Jan 'Stan' Kybert

Oasis, Paul Weller, Björk

Jan 'Stan' Kybert talks mixing with the left and right brain, original article first appeared in Audio Media Magazine.

Husky Höskulds

Norah Jones, Fantomas, Elvis Costello

Husky Höskulds discusses flexible workflows using NUGEN plug-ins.

Norah Jones, Dolly Parton, Chaka Khan

Mastering engineer Alan Silverman takes his musical expertise and applies it to music-oriented films, original article first appeared in Post Magazine.

Cheryl Ottenritter

Cheryl Ottenritter

National Geographic, Smithsonian Channel

Cheryl Ottenritter of Ott House Audio explains how NUGEN Audio products have changed her life, original article first appeared in Resolution Magazine.

Far Cry 2, Clumsy Ninja, Driv3r

Richard Aitken talks loudness for games and adapting to changes in the industry.

Jacques Boulanger

Jacques Boulanger

Creative Audio Post

Jacques Boulanger, Emmy Award-winning sound engineer, describes the challenge of upmixing Natalie Merchant's latest film project.

Samuele Tezza explains why SAMPLE relies on NUGEN Audio's LMB in post-production, original article first appeared in TV Bay.

Jim Schultz & Michael Minkler

Jim Schultz & Michael Minkler

One Upon a Time in Hollywood

NUGEN fine-tunes mix for Tarantino's Once Upon A Time In Hollywood

Ryse: Son of Rome, Far Cry, The Crysis

We hear from Crytek's Simon Pressey about delivering a high-quality gaming experience using NUGEN Audio's loudness tools.

Nocturnal Animals, Jamie's Quick and Easy Food, Toast of London

Richard Addis of HALO Post talks re-inventing audio loudness monitoring, original article first appeared in The Broadcast Bridge.

The Great Gatsby, Moulin Rouge

NUGEN Audio's Visualizer provides accurate metering for Grammy-nominated producer/mixer.

American Beauty, Resident Evil, Pacific Rim

We discuss compliance and transparency with BAFTA nominated sound editor and mixer Scott Gershin.

Rising Free, Top Gear, Derry Girls

We caught up with Lucy to chat about the shift to working freelance, and a few of her favourite NUGEN Audio plug-ins.

Austin City Limits

David Hough explains why he uses NUGEN Audio's VisLM to keep his programs CALM-compliant and meet strict PBS specs.

Erinn E. Thorp discusses simplifying loudness compliance with NUGEN Audio plug-ins, original article first appeared in TV Tech.

The Haunting of Hill House, Get Out, Meet the Parents

NUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.

Shreyas Srinivas

Shreyas Srinivas

Discharge, Chase, Tiger Zina Hai

NUGEN plug-ins enhance the mix without burying significant dialogue for Shreyas Srinivas.

Armand Klenk on why he chooses to include NUGEN Audio's loudness tools in his curriculum, original article first appeared in 4rfv Magazine.

Aretha Franklin, Stevie Wonder

Grammy Award-winner Dave Isaac describes how NUGEN Audio tools have enhanced his creative process, original article first appeared in Regional Film and Video.

Aerosmith, U2, Red Hot Chili Peppers

We catch up with Howie Weinberg in his Los Angeles studio to discuss mastering for the internet age with MasterCheck Pro.

Ross Kemp: Extreme World, Louis Theroux's LA Stories

Building loudness into the mix with BAFTA winner Nick Fry, original article first appeared in TVB Europe.

Sonic Highways, 7 Days in Hell, Drugs Inc.

Daniel Jones of Vaudeville Post talks staying on spec with NUGEN Audio.

Up, Michael Moore's Sicko

Preparing for the new world of loudness-normalization with audio veteran Robert Nation, NUGEN Audio tools have smoothed the way.

Storybook Sound

Scott Anthony talks integrating Halo Upmix into his workflow.

Shoreline Studios

Gary Zacuto and Garrard Whatley

Shoreline Studios

Gary Zacuto and Garrard Whatley explain how they use NUGEN Audio’s ISL True Peak limiter in creating sound design for some of the world’s top game trailers.

American History X, Austin Powers: The Spy Who Shagged Me, Iron Fist

Re-recording mixer Joe Barnett relies on Halo Upmix for 5.1, 7.1 and Atmos projects.

Beyoncé, Macy Gray, Mary J. Blige

Grammy Award-winning engineer Dave Pensado gives some tips on stereo widening, including his thoughts on NUGEN’s Stereoizer plug-in.

Hendrik Simoens

Hendrik Simoens

Flemish Radio and Television Network Organization

Belgian broadcaster Hendrik Simoens discusses loudness solutions and the importance of accurate measurements in the field.

American Idol, Flight of the Conchords, Drunk History, Top Gear

Meeting 5.1 upmix challenges with Emmy Award-winner Brian Riordan, original article first appeared in Post Magazine.