David Bottrill & Ryan McCambridge
Tom GriffinProducers deem NUGEN's plug-ins essential tools for Mastodon's Hushed and Grim
Bob Cooper
Freddy Vinehill-CliffeMixing/mastering engineer and music producer Bob Cooper shows us around The Chairworks, and explains how NUGEN Audio's SEQ-S fits into his workflow.
Angus Davidson
Tom GriffinParagon is a great reverb for everything, but I found it particularly helpful for small spaces.
Morgan Page
Freddy Vinehill-CliffeGrammy-nominated dance music producer, DJ and prolific remixer Morgan Page takes time out before a Pacha set to talk to us about kick-drums, space and mono-compatible mixes.
Ali Stone
Tom GriffinParagon ST was perfect for 'Bola de Cristal'. It allowed me to give the sound the stereo image and amplitude it needed. The reverb in each track gave the song its sound.
Alexandra Fehrman
Tom GriffinPost-Production software provides flexibility, reliability for Alexandra Fehrman.
Lee Smith
Tom GriffinLee Smith of Greenmount Studios taps NUGEN's Paragon as his go-to room reverb.
DELTA Soundworks
Freddy Vinehill-CliffeAn in-depth Q&A with Ana Monte (lead sound designer) and Daniel Deboy (lead sound engineer), co-founders of DELTA Soundworks
Beckview Studios
Tom GriffinI began incorporating other NUGEN solutions into my workflow, and they have all become staples for me. Now, specifically Aligner, is used on just about everything I work on — it’s my favorite.
Cicely Balston
Freddy Vinehill-CliffeCicely spoke about her career to date, including her work on David Bowie's back catalogue.
Ayako Yamauchi
Freddy Vinehill-CliffeAyako Yamauchi calls on NUGEN Post for gaming and streaming projects
Ruy Garcia
Freddy Vinehill-CliffeAward-winning Re-Recording Mixer, Sound Editor and Sound Designer Ruy Garcia uses Halo Upmix to preserve the character of the original audio
Michael Phillips Keeley
Freddy Vinehill-CliffeMichael Phillips Keeley utilized NUGEN plug-ins to perfect the sound for SpaceX documentary
Alexandra Fehrman
Freddy Vinehill-CliffeA chat with Alexandra about how she got started in the industry, and how NUGEN fits into her workflow.
Audrey Martinovich
Freddy Vinehill-CliffeAudrey spoke to us recently about her journey from soprano opera singer to recording engineer.
Jonathan Wales
Freddy Vinehill-CliffeNUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.
Chris Fogel
Tom GriffinA Variety of the Brand’s Plug-ins Serve as Long-time, Essential Solutions for the Multiple Award-winning Recording and Mixing Engineer
Dana James Presson
Tom GriffinComposer/Producer/Sound Designer Dana James Presson utilizes NUGEN's VisLM, ISL and Halo Upmix solutions
Nick Squillante
Tom GriffinNick “Squids” Squillante taps NUGEN Audio for Dolby Atmos mixes.
Thom Egerton
Freddy Vinehill-CliffeWe chatted with Thom about God Damn's new self-produced album, and his favourite NUGEN plug-ins.
Joe Barnett
Freddy Vinehill-CliffeRe-recording mixer Joe Barnett relies on Halo Upmix for 5.1, 7.1 and Atmos projects.
Nahuel Bronzini
Freddy Vinehill-CliffeNahuel Bronzini (Fantastic Negrito, Tony! Toni! Toné!) delivers GRAMMY-winning results with NUGEN Audio
Peter McCabe
Freddy Vinehill-CliffeVeteran producer Peter McCabe explains how NUGEN Audio plug-ins have helped him to evolve with the times, original article first appeared in Broadcast Beat.
Jonathan Garcia
Tom GriffinErinn E. Thorp
Freddy Vinehill-CliffeErinn E. Thorp discusses simplifying loudness compliance with NUGEN Audio plug-ins, original article first appeared in TV Tech.
Michael J. Moritz
Freddy Vinehill-CliffeMichael Moritz joins us for an in-depth Q&A
Terrance Dwyer
Freddy Vinehill-CliffeTerrance Dwyer describes how NUGEN Audio's ISL has streamlined his workflow, original article first appeared in Prensario Magazine.
David Hough
Freddy Vinehill-CliffeDavid Hough explains why he uses NUGEN Audio's VisLM to keep his programs CALM-compliant and meet strict PBS specs.
Tom Marks
Freddy Vinehill-CliffeTom Marks chats about technological shifts over the course of his career, and how these have led to him using Halo Upmix for his work.
Bob Pepek
Tom GriffinNUGEN Audio helps 3 Days Rising Horror/Thriller make spines tingle
Jeff Mullen
Freddy Vinehill-CliffeStress-free upmixing with Jeff Mullen of Sonichead, original article first appeared in Pro Sound News.
Justin Fraser
Freddy Vinehill-CliffeJustin Fraser discusses loudness, and how he has incorporated it into his curriculum, original article first appeared in TV Tech magazine.
Richard Aitken
Freddy Vinehill-CliffeRichard Aitken talks loudness for games and adapting to changes in the industry.
Rafa Sardina
Freddy Vinehill-CliffeThirteen-time GRAMMY and Latin GRAMMY-winner selects NUGEN Audio's intuitive plug-ins for superior audio and control.
Robert Nation
Freddy Vinehill-CliffePreparing for the new world of loudness-normalization with audio veteran Robert Nation, NUGEN Audio tools have smoothed the way.
Dave Isaac
Freddy Vinehill-CliffeGrammy Award-winner Dave Isaac describes how NUGEN Audio tools have enhanced his creative process, original article first appeared in Regional Film and Video.
Nahuel Bronzini
Tom GriffinBrand’s Various Solutions Enhance Creativity and Set the Tone for GRAMMY® Award-winning Producer, Arranger and Engineer
Simon Pressey
Freddy Vinehill-CliffeWe hear from Crytek's Simon Pressey about delivering a high-quality gaming experience using NUGEN Audio's loudness tools.
Xandy Barry
Tom GriffinInside the mix with Xandy Barry
Daniel Jones
Freddy Vinehill-CliffeDaniel Jones of Vaudeville Post talks staying on spec with NUGEN Audio.
Florian Camerer
Freddy Vinehill-CliffeLoudness standards and beyond, explained by Florian Camerer, original article first appeared in Resolution Magazine.
Jacques Boulanger
Freddy Vinehill-CliffeJacques Boulanger, Emmy Award-winning sound engineer, describes the challenge of upmixing Natalie Merchant's latest film project.
Korey Pereira
Freddy Vinehill-CliffeNUGEN plug-ins create a smooth workflow and worry-free operation for Korey Pereira.
Richard Addis
Freddy Vinehill-CliffeRichard Addis of HALO Post talks re-inventing audio loudness monitoring, original article first appeared in The Broadcast Bridge.
Keith Alexander
Tom GriffinMaster Engineer Keith Alexander reflects on TV, Radio, Film and Gaming audio post-production
Samuele Tezza
Freddy Vinehill-CliffeSamuele Tezza explains why SAMPLE relies on NUGEN Audio's LMB in post-production, original article first appeared in TV Bay.
Jonathan Wales
Tom GriffinNUGEN Audio delivers unrestricted creativity and control for re-recording mixer Jonathan Wales.
Mike Dean
Tom GriffinRenowned for his versatility in the studio, GRAMMY® Award-winning Record Producer Mike Dean is who the world’s biggest artists turn to for their production needs.
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