Jim Schultz & Michael Minkler
Freddy Vinehill-CliffeNUGEN fine-tunes mix for Tarantino's Once Upon A Time In Hollywood
Vaudeville Sound Group
Tom GriffinSound design and mix house deploys NUGEN Audio for immersive sound projects and other applications since its inception.
Nic Hard and Fab Dupont
Tom GriffinSnarky Puppy's latest album mixed in Dolby Atmos
Michael J. Moritz
Freddy Vinehill-CliffeMichael Moritz joins us for an in-depth Q&A
Alexandra Fehrman
Freddy Vinehill-CliffeA chat with Alexandra about how she got started in the industry, and how NUGEN fits into her workflow.
Mr Mig & Mike Rizzo
Freddy Vinehill-CliffeProduction duo Mr Mig & Mike Rizzo of Global Groove Entertainment talk to us about getting the bass to cut through a mix.
Rafa Sardina
Freddy Vinehill-CliffeThirteen-time GRAMMY and Latin GRAMMY-winner selects NUGEN Audio's intuitive plug-ins for superior audio and control.
Clint Murphy
Tom GriffinDolby Atmos-enabled CMP Studio tackles Immersive mixing with NUGEN Audio
Alvin Wee
Freddy Vinehill-CliffeNUGEN delivers deeper workflow control for mix engineer Alvin Wee.
Joe Barnett
Freddy Vinehill-CliffeRe-recording mixer Joe Barnett relies on Halo Upmix for 5.1, 7.1 and Atmos projects.
Jorel Corpus
Freddy Vinehill-CliffeNUGEN Producer bundle and Loudness Toolkit are a mainstay in mix engineer Jorel Corpus' toolbox.
Beckview Studios
Tom GriffinI began incorporating other NUGEN solutions into my workflow, and they have all become staples for me. Now, specifically Aligner, is used on just about everything I work on — it’s my favorite.
Jan ‘Stan’ Kybert
Freddy Vinehill-CliffeJan 'Stan' Kybert talks mixing with the left and right brain, original article first appeared in Audio Media Magazine.
Glen Schricker
Tom GriffinNUGEN Audio helps bring “Sex And The City” remaster to life
Cicely Balston
Freddy Vinehill-CliffeCicely spoke about her career to date, including her work on David Bowie's back catalogue.
Bob Pepek
Tom GriffinNUGEN Audio helps 3 Days Rising Horror/Thriller make spines tingle
James Wichall
Tom GriffinNUGEN Audio loudness plug-ins prove essential for re-recording mixer James Wichall
Mike Prestwood-Smith
Freddy Vinehill-CliffeBAFTA winning re-recording mixer Mike Prestwood-Smith tells us about how he used Halo Upmix on Kingsman: The Golden Circle.
David Bottrill & Ryan McCambridge
Tom GriffinProducers deem NUGEN's plug-ins essential tools for Mastodon's Hushed and Grim
Jeff Mullen
Freddy Vinehill-CliffeStress-free upmixing with Jeff Mullen of Sonichead, original article first appeared in Pro Sound News.
Husky Höskulds
Freddy Vinehill-CliffeHusky Höskulds discusses flexible workflows using NUGEN plug-ins.
Jan Kybert
Freddy Vinehill-CliffeJan Kybert partners with London's Dean Street Studios to provide a new avenue of creativity for Dolby Atmos music mixing
Jonathan Wales
Freddy Vinehill-CliffeNUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.
Ayako Yamauchi
Freddy Vinehill-CliffeAyako Yamauchi calls on NUGEN Post for gaming and streaming projects
Morgan Page
Freddy Vinehill-CliffeGrammy-nominated dance music producer, DJ and prolific remixer Morgan Page takes time out before a Pacha set to talk to us about kick-drums, space and mono-compatible mixes.
Veronica Ferraro
Freddy Vinehill-CliffeOur Q&A with an acclaimed mixing engineer, and CEO at French Audio Village.
Alan Silverman
Freddy Vinehill-CliffeMastering engineer Alan Silverman takes his musical expertise and applies it to music-oriented films, original article first appeared in Post Magazine.
Daniel Jones
Freddy Vinehill-CliffeDaniel Jones of Vaudeville Post talks staying on spec with NUGEN Audio.
Chris Rudall
Tom GriffinIn Demand Music takes up high-quality, compliant audio up a notch with NUGEN Audio
Alex Solano
Tom GriffinAlex Solano elevates his Dolby Atmos music mixes with NUGEN Audio plug-ins.
Ali Stone
Tom GriffinParagon ST was perfect for 'Bola de Cristal'. It allowed me to give the sound the stereo image and amplitude it needed. The reverb in each track gave the song its sound.
Studio Chelia
Tom GriffinBosnia's Studio Chelia utilizes complete NUGEN Audio Post Bundle.
Mark Henry Phillips
Freddy Vinehill-CliffeMark Henry Phillips explains how VisLM and ISL both fit into his workflow.
Richard Aitken
Freddy Vinehill-CliffeRichard Aitken talks loudness for games and adapting to changes in the industry.
Richard Sykes
Freddy Vinehill-CliffeFor Richard Sykes, NUGEN is top of the class.
Andy Bradfield
Freddy Vinehill-CliffeNUGEN Audio's Visualizer provides accurate metering for Grammy-nominated producer/mixer.
Jacques Boulanger
Freddy Vinehill-CliffeJacques Boulanger, Emmy Award-winning sound engineer, describes the challenge of upmixing Natalie Merchant's latest film project.
Howie Weinberg
Freddy Vinehill-CliffeWe catch up with Howie Weinberg in his Los Angeles studio to discuss mastering for the internet age with MasterCheck Pro.
Sara Carter
Freddy Vinehill-CliffeWe heard all about what first sparked Sara's interest in the world of audio, as well as her thoughts on NUGEN.
Soya Soo
Tom GriffinUsing Stereoizer helps me make the mix sound wider so that the listener feels that same sense of space and dimension
Frank Morrone
Tom GriffinLM-Correct, ISL and VisLM plug-ins have become essential parts of my workflow that I can’t do without
Germaine Franco
Tom GriffinBrand’s Plug-ins Serve as Go-to Solutions for Various Large-scale Film Projects, Including Encanto and Netflix’s The Mother
Thom Egerton
Freddy Vinehill-CliffeWe chatted with Thom about God Damn's new self-produced album, and his favourite NUGEN plug-ins.
Lee Smith
Tom GriffinLee Smith of Greenmount Studios taps NUGEN's Paragon as his go-to room reverb.
Angus Davidson
Tom GriffinParagon is a great reverb for everything, but I found it particularly helpful for small spaces.
Eva Reistad
Tom GriffinNUGEN Audio Q&A with Globetrotting Mixing Engineer
Bob Cooper
Freddy Vinehill-CliffeMixing/mastering engineer and music producer Bob Cooper shows us around The Chairworks, and explains how NUGEN Audio's SEQ-S fits into his workflow.
Justin Merrill
Tom GriffinIf I have an Atmos mix, I'm definitely using Halo Upmix
Alexandra Fehrman
Tom GriffinPost-Production software provides flexibility, reliability for Alexandra Fehrman.
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