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User Stories

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MUSIC PRODUCTION

POST PRODUCTION

Mark Henry Phillips

Mark Henry Phillips

Mark Henry Phillips explains how VisLM and ISL both fit into his workflow.

DELTA Soundworks

DELTA Soundworks

An in-depth Q&A with Ana Monte (lead sound designer) and Daniel Deboy (lead sound engineer), co-founders of DELTA Soundworks

Alexandra Fehrman

Alexandra Fehrman

The Boys, Formosa Group

Post-Production software provides flexibility, reliability for Alexandra Fehrman.

Veronica Ferraro

Veronica Ferraro

David Guetta, Natalie Imbruglia, P!nk

Our Q&A with an acclaimed mixing engineer, and CEO at French Audio Village.

Miley Cyrus, Best Coast, The Rolling Stones, New Order, Rihanna, Britney Spears

Inside the mix with Xandy Barry

Aerosmith, U2, Red Hot Chili Peppers

We catch up with Howie Weinberg in his Los Angeles studio to discuss mastering for the internet age with MasterCheck Pro.

American Beauty, Resident Evil, Pacific Rim

We discuss compliance and transparency with BAFTA nominated sound editor and mixer Scott Gershin.

Keith Alexander

Keith Alexander

Adorama, Lady Betty, Perfecting Audio

Far Cry 2, Clumsy Ninja, Driv3r

Richard Aitken talks loudness for games and adapting to changes in the industry.

Jacques Boulanger

Jacques Boulanger

Creative Audio Post

Jacques Boulanger, Emmy Award-winning sound engineer, describes the challenge of upmixing Natalie Merchant's latest film project.

Storybook Sound

Scott Anthony talks integrating Halo Upmix into his workflow.

American Idol, Flight of the Conchords, Drunk History, Top Gear

Meeting 5.1 upmix challenges with Emmy Award-winner Brian Riordan, original article first appeared in Post Magazine.

Germaine Franco

Germaine Franco

Encanto, The Mother

Brand’s Plug-ins Serve as Go-to Solutions for Various Large-scale Film Projects, Including Encanto and Netflix’s The Mother

Deadliest Catch, Honey Boo Boo, Horrible Histories

Stress-free upmixing with Jeff Mullen of Sonichead, original article first appeared in Pro Sound News.

Thomas Cassetta

Thomas Cassetta

Andrew Schulz, Jim Jefferies, Ari Shaffir

Nahuel Bronzini

Nahuel Bronzini

Fantastic Negrito, Tony! Toni! Toné!

Nahuel Bronzini (Fantastic Negrito, Tony! Toni! Toné!) delivers GRAMMY-winning results with NUGEN Audio

Tabija, Tako da ne ostane ziva

Bosnia's Studio Chelia utilizes complete NUGEN Audio Post Bundle.

We chatted with Thom about God Damn's new self-produced album, and his favourite NUGEN plug-ins.

Beyonce, Jay-Z, Frank Ocean, The Weeknd

Renowned for his versatility in the studio, GRAMMY® Award-winning Record Producer Mike Dean is who the world’s biggest artists turn to for their production needs.

Flying Colors, Kansas

Bill Evans - executive producer, engineer, and manager for progressive rock super group Flying Colors - has adopted Halo Upmix.

Survivor, Fear Factor, Total Wipeout USA

Terrance Dwyer describes how NUGEN Audio's ISL has streamlined his workflow, original article first appeared in Prensario Magazine.

Armand Klenk on why he chooses to include NUGEN Audio's loudness tools in his curriculum, original article first appeared in 4rfv Magazine.

Jim Schultz & Michael Minkler

Jim Schultz & Michael Minkler

One Upon a Time in Hollywood

NUGEN fine-tunes mix for Tarantino's Once Upon A Time In Hollywood

Ross Kemp: Extreme World, Louis Theroux's LA Stories

Building loudness into the mix with BAFTA winner Nick Fry, original article first appeared in TVB Europe.

Aretha Franklin, Stevie Wonder

Grammy Award-winner Dave Isaac describes how NUGEN Audio tools have enhanced his creative process, original article first appeared in Regional Film and Video.

Crowded House, Supertramp, Little Tornadoes

Paragon is a great reverb for everything, but I found it particularly helpful for small spaces.

Jan ‘Stan’ Kybert

Jan 'Stan' Kybert

Oasis, Paul Weller, Björk

Jan 'Stan' Kybert talks mixing with the left and right brain, original article first appeared in Audio Media Magazine.

Promising Young Woman, Ozark, Antebellum, Cobra Kai

McGowan Soundworks talks best practices for score mixing on high-profile Netflix and YouTube projects

Florian Camerer

Florian Camerer

Vienna Philharmonic Orchestra

Loudness standards and beyond, explained by Florian Camerer, original article first appeared in Resolution Magazine.

Simon Hill utilizes NUGEN loudness and upmix plug-ins for TV and film projects

Nai Harvest, Nervus, Cultdreams, itoldyouiwouldeatyou

Mixing/mastering engineer and music producer Bob Cooper shows us around The Chairworks, and explains how NUGEN Audio's SEQ-S fits into his workflow.

Thierry De Vries

Thierry De Vries

Torpedo, Gangsta, D'Ardennen, Matroesjka’s, Het Eiland

Selection of intuitive high-quality plug-ins provide seamless integration and smooth workflow for owner and industry veteran Thierry De Vries.

Ed Sheeran, Christina Aguilera, Lady Gaga

NUGEN Audio's elite plug-ins deliver deeper control for producer/mixer Tre Nagella

Immersive Audio Solutions

Immersive Audio Solutions

IAS finds the right mix with Paragon and Halo Upmix.

David Bowie, Nubya Garcia

Cicely spoke about her career to date, including her work on David Bowie's back catalogue.

Austin City Limits

David Hough explains why he uses NUGEN Audio's VisLM to keep his programs CALM-compliant and meet strict PBS specs.

Midnight Mass, Fall of the House of Usher, The Red Door, The Black Phone

The Re-recording and Scoring Mixer Relies on NUGEN Audio Solutions to Create Unique Cinematic Experiences for Horror Fans Everywhere

Norah Jones, Dolly Parton, Chaka Khan

Mastering engineer Alan Silverman takes his musical expertise and applies it to music-oriented films, original article first appeared in Post Magazine.

The Great Gatsby, Moulin Rouge

NUGEN Audio's Visualizer provides accurate metering for Grammy-nominated producer/mixer.

Boyz II Men, Tyrese, Brandy

NUGEN Producer bundle and Loudness Toolkit are a mainstay in mix engineer Jorel Corpus' toolbox.

Mike Prestwood-Smith

Mike Prestwood-Smith

Billy Elliot, Casino Royale, The Hunger Games

BAFTA winning re-recording mixer Mike Prestwood-Smith tells us about how he used Halo Upmix on Kingsman: The Golden Circle.

Michael Phillips Keeley

Michael Phillips Keeley

Michael Phillips Keeley utilized NUGEN plug-ins to perfect the sound for SpaceX documentary

Winnie the Pooh: Blood and Honey

Dr. Sleep, 13 Reasons Why

NUGEN Audio delivers unrestricted creativity and control for re-recording mixer Jonathan Wales.

Jonathan Garcia

Jonathan Garcia

Rema, Poo Bear, Cammy J, Donna Summer, Bazzi and Late Night Jiggy

Trevor Horn, Seal, Genesis

Justin Fraser discusses loudness, and how he has incorporated it into his curriculum, original article first appeared in TV Tech magazine.

Special Broadcasting Service, Australia

Ben Feggans talks us through using VisLM for effective multilingual loudness management, original article first appeared in AP Broadcast.

Midsommar, Wendy, Boardwalk Empire

Award-winning Re-Recording Mixer, Sound Editor and Sound Designer Ruy Garcia uses Halo Upmix to preserve the character of the original audio

Universal Music, Warner Music, Atlantic Records

Alex Solano elevates his Dolby Atmos music mixes with NUGEN Audio plug-ins

Later... With Jools Holland

BAFTA-nominated engineer Mike Felton talks about how loudness regulations have affected his work, original article first appeared in TVB Europe.