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Michael J. MoritzFreddy Vinehill-Cliffe
Michael Moritz joins us for an in-depth Q&A
Frank MorroneTom Griffin
LM-Correct, ISL and VisLM plug-ins have become essential parts of my workflow that I can’t do without
Mike Prestwood-SmithFreddy Vinehill-Cliffe
BAFTA winning re-recording mixer Mike Prestwood-Smith tells us about how he used Halo Upmix on Kingsman: The Golden Circle.
Vaudeville Sound GroupTom Griffin
Sound design and mix house deploys NUGEN Audio for immersive sound projects and other applications since its inception.
Phil McGowanTom Griffin
McGowan Soundworks talks best practices for score mixing on high-profile Netflix and YouTube projects
Andy BradfieldFreddy Vinehill-Cliffe
NUGEN Audio's Visualizer provides accurate metering for Grammy-nominated producer/mixer.
Studio CheliaTom Griffin
Bosnia's Studio Chelia utilizes complete NUGEN Audio Post Bundle.
Alan MeyersonTom Griffin
Renowned Sound Mixer Alan Meyerson relies on NUGEN Audio for high-profile projects
Jonathan WalesFreddy Vinehill-Cliffe
NUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.
Nahuel BronziniFreddy Vinehill-Cliffe
Nahuel Bronzini (Fantastic Negrito, Tony! Toni! Toné!) delivers GRAMMY-winning results with NUGEN Audio
Ali StoneTom Griffin
Paragon ST was perfect for 'Bola de Cristal'. It allowed me to give the sound the stereo image and amplitude it needed. The reverb in each track gave the song its sound.
Chris RudallTom Griffin
In Demand Music takes up high-quality, compliant audio up a notch with NUGEN Audio
Vahagn StepanyanFreddy Vinehill-Cliffe
Vahagn Stepanyan widens his mix with NUGEN: Stereoizer, Monofilter and MasterCheck plug-ins deliver complete optimization for today’s delivery services.
David Bottrill & Ryan McCambridgeTom Griffin
Producers deem NUGEN's plug-ins essential tools for Mastodon's Hushed and Grim
Cheryl OttenritterFreddy Vinehill-Cliffe
Cheryl Ottenritter of Ott House Audio explains how NUGEN Audio products have changed her life, original article first appeared in Resolution Magazine.
Rafa SardinaFreddy Vinehill-Cliffe
Thirteen-time GRAMMY and Latin GRAMMY-winner selects NUGEN Audio's intuitive plug-ins for superior audio and control.
Emma ButtFreddy Vinehill-Cliffe
Emma Butt spoke with us about her beginnings in the audio industry, some favourite career moments, and how NUGEN Audio plug-ins fit in with her workflow.
Alan SallabankFreddy Vinehill-Cliffe
Alan Sallabank describes how Halo Upmix saved the day for him, original article first appeared in Pro Tools Expert.
Richard SykesFreddy Vinehill-Cliffe
For Richard Sykes, NUGEN is top of the class.
Alex SolanoTom Griffin
Alex Solano elevates his Dolby Atmos music mixes with NUGEN Audio plug-ins.
Angus DavidsonTom Griffin
Paragon is a great reverb for everything, but I found it particularly helpful for small spaces.
Lucy MitchellFreddy Vinehill-Cliffe
We caught up with Lucy to chat about the shift to working freelance, and a few of her favourite NUGEN Audio plug-ins.
Justin MerrillTom Griffin
If I have an Atmos mix, I'm definitely using Halo Upmix
Bob CooperFreddy Vinehill-Cliffe
Mixing/mastering engineer and music producer Bob Cooper shows us around The Chairworks, and explains how NUGEN Audio's SEQ-S fits into his workflow.
Armand KlenkFreddy Vinehill-Cliffe
Armand Klenk on why he chooses to include NUGEN Audio's loudness tools in his curriculum, original article first appeared in 4rfv Magazine.
Mike DeanTom Griffin
Renowned for his versatility in the studio, GRAMMY® Award-winning Record Producer Mike Dean is who the world’s biggest artists turn to for their production needs.
Ramin DjawadiTom Griffin
NUGEN Audio's Halo Upmix Plug-in sparks creativity and proves essential to delivering quality sound throughout 'Uncharted' demo process
Peter ColeFreddy Vinehill-Cliffe
We chat with Emmy Award-winning re-recording mixer Peter Cole about integrating loudness targets into his workflow.
Brian RiordanFreddy Vinehill-Cliffe
Meeting 5.1 upmix challenges with Emmy Award-winner Brian Riordan, original article first appeared in Post Magazine.
Audrey MartinovichFreddy Vinehill-Cliffe
Audrey spoke to us recently about her journey from soprano opera singer to recording engineer.
Rich AitkenTom Griffin
NUGEN Audio proves essential to Rich Aitken's TV, film & game sound mixing
Alexandra FehrmanFreddy Vinehill-Cliffe
A chat with Alexandra about how she got started in the industry, and how NUGEN fits into her workflow.
Florian CamererFreddy Vinehill-Cliffe
Loudness standards and beyond, explained by Florian Camerer, original article first appeared in Resolution Magazine.
Lee SmithTom Griffin
Lee Smith of Greenmount Studios taps NUGEN's Paragon as his go-to room reverb.
Mike FeltonFreddy Vinehill-Cliffe
BAFTA-nominated engineer Mike Felton talks about how loudness regulations have affected his work, original article first appeared in TVB Europe.
Mr Mig & Mike RizzoFreddy Vinehill-Cliffe
Production duo Mr Mig & Mike Rizzo of Global Groove Entertainment talk to us about getting the bass to cut through a mix.
Scott GershinFreddy Vinehill-Cliffe
We discuss compliance and transparency with BAFTA nominated sound editor and mixer Scott Gershin.
Friedemann TischmeyerFreddy Vinehill-Cliffe
Renowned mastering engineer Friedemann Tischmeyer talks mastering for today's distribution platforms and preserving dynamics with MasterCheck.
Keith AlexanderTom Griffin
Master Engineer Keith Alexander reflects on TV, Radio, Film and Gaming audio post-production
Morgan PageFreddy Vinehill-Cliffe
Grammy-nominated dance music producer, DJ and prolific remixer Morgan Page takes time out before a Pacha set to talk to us about kick-drums, space and mono-compatible mixes.
Kate DavisFreddy Vinehill-Cliffe
Kate sat down to talk us through her career beginnings, and some of her most impactful recent projects. She also had some nice things to say about NUGEN Audio’s Loudness Toolkit!
Korey PereiraFreddy Vinehill-Cliffe
NUGEN plug-ins create a smooth workflow and worry-free operation for Korey Pereira.
Jett GalindoTom Griffin
I had to completely rely on my plug-ins to ensure the choral experience translated to how they sounded live, and I accomplished this beautifully with Paragon.
Robert NationFreddy Vinehill-Cliffe
Preparing for the new world of loudness-normalization with audio veteran Robert Nation, NUGEN Audio tools have smoothed the way.
Soya SooTom Griffin
Using Stereoizer helps me make the mix sound wider so that the listener feels that same sense of space and dimension
Bill EvansFreddy Vinehill-Cliffe
Bill Evans - executive producer, engineer, and manager for progressive rock super group Flying Colors - has adopted Halo Upmix.
Ruy GarciaFreddy Vinehill-Cliffe
Award-winning Re-Recording Mixer, Sound Editor and Sound Designer Ruy Garcia uses Halo Upmix to preserve the character of the original audio
Ben FeggansFreddy Vinehill-Cliffe
Ben Feggans talks us through using VisLM for effective multilingual loudness management, original article first appeared in AP Broadcast.
Chris FogelTom Griffin
ELBO Studios implements NUGEN Audio for wide array of music and film scoring projects.
Simon HillFreddy Vinehill-Cliffe
Simon Hill utilizes NUGEN loudness and upmix plug-ins for TV and film projects
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