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Mark Henry Phillips

Mark Henry Phillips

Mark Henry Phillips explains how VisLM and ISL both fit into his workflow.

Florian Camerer

Florian Camerer

Vienna Philharmonic Orchestra

Loudness standards and beyond, explained by Florian Camerer, original article first appeared in Resolution Magazine.

Finding Dory, LCD Soundsystem Live at MSG

Alan Sallabank describes how Halo Upmix saved the day for him, original article first appeared in Pro Tools Expert.

Mr Mig & Mike Rizzo

Mr Mig & Mike Rizzo

Cher, Lady Gaga, Taylor Swift

Production duo Mr Mig & Mike Rizzo of Global Groove Entertainment talk to us about getting the bass to cut through a mix.

American Idol, Flight of the Conchords, Drunk History, Top Gear

Meeting 5.1 upmix challenges with Emmy Award-winner Brian Riordan, original article first appeared in Post Magazine.

Hendrik Simoens

Hendrik Simoens

Flemish Radio and Television Network Organization

Belgian broadcaster Hendrik Simoens discusses loudness solutions and the importance of accurate measurements in the field.

Southern Cross Austero

Engineer Steven Fox explains how LM-Correct helps him hit loudness targets every time, original article first appeared in C&T Asia.

Husky Höskulds

Norah Jones, Fantomas, Elvis Costello

Husky Höskulds discusses flexible workflows using NUGEN plug-ins.

Erinn E. Thorp discusses simplifying loudness compliance with NUGEN Audio plug-ins, original article first appeared in TV Tech.

Norah Jones, Dolly Parton, Chaka Khan

Mastering engineer Alan Silverman takes his musical expertise and applies it to music-oriented films, original article first appeared in Post Magazine.

The Haunting of Hill House, Get Out, Meet the Parents

NUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.

American Beauty, Resident Evil, Pacific Rim

We discuss compliance and transparency with BAFTA nominated sound editor and mixer Scott Gershin.

Trevor Horn, Seal, Genesis

Justin Fraser discusses loudness, and how he has incorporated it into his curriculum, original article first appeared in TV Tech magazine.

Renowned Bollywood sound engineer Sreejesh Nair chooses Halo Upmix to produce a powerfully immersive upmix on a broad range of cinema projects.

Special Broadcasting Service, Australia

Ben Feggans talks us through using VisLM for effective multilingual loudness management, original article first appeared in AP Broadcast.

Flying Colors, Kansas

Bill Evans - executive producer, engineer, and manager for progressive rock super group Flying Colors - has adopted Halo Upmix.

Nocturnal Animals, Jamie's Quick and Easy Food, Toast of London

Richard Addis of HALO Post talks re-inventing audio loudness monitoring, original article first appeared in The Broadcast Bridge.

Running with Beto, Shipping Wars

NUGEN plug-ins create a smooth workflow and worry-free operation for Korey Pereira.

deadmau5, Tegan and Sara, HIM

Grammy-nominated dance music producer, DJ and prolific remixer Morgan Page takes time out before a Pacha set to talk to us about kick-drums, space and mono-compatible mixes.

Mike Prestwood-Smith

Mike Prestwood-Smith

Billy Elliot, Casino Royale, The Hunger Games

BAFTA winning re-recording mixer Mike Prestwood-Smith tells us about how he used Halo Upmix on Kingsman: The Golden Circle.

Beyoncé, Macy Gray, Mary J. Blige

Grammy Award-winning engineer Dave Pensado gives some tips on stereo widening, including his thoughts on NUGEN’s Stereoizer plug-in.

Jim Schultz & Michael Minkler

Jim Schultz & Michael Minkler

One Upon a Time in Hollywood

NUGEN fine-tunes mix for Tarantino's Once Upon A Time In Hollywood

Jacques Boulanger

Jacques Boulanger

Creative Audio Post

Jacques Boulanger, Emmy Award-winning sound engineer, describes the challenge of upmixing Natalie Merchant's latest film project.

Friedemann Tischmeyer

Friedemann Tischmeyer

Steely Dan, Johnny Cash, Audio Mastering Trilogy

Renowned mastering engineer Friedemann Tischmeyer talks mastering for today's distribution platforms and preserving dynamics with MasterCheck.

Shoreline Studios

Gary Zacuto and Garrard Whatley

Shoreline Studios

Gary Zacuto and Garrard Whatley explain how they use NUGEN Audio’s ISL True Peak limiter in creating sound design for some of the world’s top game trailers.

Tom Marks chats about technological shifts over the course of his career, and how these have led to him using Halo Upmix for his work.

Shawn Mendes, Rihanna, Drake

Juno winning mix engineer George Seara talks to us about empowering artists, creative workflows and why he chooses NUGEN Audio.

Later... With Jools Holland

BAFTA-nominated engineer Mike Felton talks about how loudness regulations have affected his work, original article first appeared in TVB Europe.

Storybook Sound

Scott Anthony talks integrating Halo Upmix into his workflow.

Boyz II Men, Tyrese, Brandy

NUGEN Producer bundle and Loudness Toolkit are a mainstay in mix engineer Jorel Corpus' toolbox.

American History X, Austin Powers: The Spy Who Shagged Me, Iron Fist

Re-recording mixer Joe Barnett relies on Halo Upmix for 5.1, 7.1 and Atmos projects.

Far Cry 2, Clumsy Ninja, Driv3r

Richard Aitken talks loudness for games and adapting to changes in the industry.

Futurama, Pee-wee’s Playhouse, Max Headroom

We chat with Emmy Award-winning re-recording mixer Peter Cole about integrating loudness targets into his workflow.

Kiss, Paul McCartney, Ricky Martin

Veteran producer Peter McCabe explains how NUGEN Audio plug-ins have helped him to evolve with the times, original article first appeared in Broadcast Beat.

Survivor, Fear Factor, Total Wipeout USA

Terrance Dwyer describes how NUGEN Audio's ISL has streamlined his workflow, original article first appeared in Prensario Magazine.

Cheryl Ottenritter

Cheryl Ottenritter

National Geographic, Smithsonian Channel

Cheryl Ottenritter of Ott House Audio explains how NUGEN Audio products have changed her life, original article first appeared in Resolution Magazine.

Ed Sheeran, Christina Aguilera, Lady Gaga

NUGEN Audio's elite plug-ins deliver deeper control for producer/mixer Tre Nagella

Austin City Limits

David Hough explains why he uses NUGEN Audio's VisLM to keep his programs CALM-compliant and meet strict PBS specs.

Jan ‘Stan’ Kybert

Jan 'Stan' Kybert

Oasis, Paul Weller, Björk

Jan 'Stan' Kybert talks mixing with the left and right brain, original article first appeared in Audio Media Magazine.

Sonic Highways, 7 Days in Hell, Drugs Inc.

Daniel Jones of Vaudeville Post talks staying on spec with NUGEN Audio.

Ryse: Son of Rome, Far Cry, The Crysis

We hear from Crytek's Simon Pressey about delivering a high-quality gaming experience using NUGEN Audio's loudness tools.

Michael Stearns

Michael Stearns

Zydeco Breakfast

Find out how sound designer Michael Stearns transformed mono recordings into a stereo film soundtrack using NUGEN tools.

Up, Michael Moore's Sicko

Preparing for the new world of loudness-normalization with audio veteran Robert Nation, NUGEN Audio tools have smoothed the way.

Samuele Tezza explains why SAMPLE relies on NUGEN Audio's LMB in post-production, original article first appeared in TV Bay.

Ross Kemp: Extreme World, Louis Theroux's LA Stories

Building loudness into the mix with BAFTA winner Nick Fry, original article first appeared in TVB Europe.

Aerosmith, U2, Red Hot Chili Peppers

We catch up with Howie Weinberg in his Los Angeles studio to discuss mastering for the internet age with MasterCheck Pro.

The Great Gatsby, Moulin Rouge

NUGEN Audio's Visualizer provides accurate metering for Grammy-nominated producer/mixer.

Aretha Franklin, Stevie Wonder

Grammy Award-winner Dave Isaac describes how NUGEN Audio tools have enhanced his creative process, original article first appeared in Regional Film and Video.

Royal College of Art

Mike Wyeld, award-winning filmmaker, sound designer and educator, describes how NUGEN Audio keeps RCA at the top of its game, original article first appeared in TV Bay.

Armand Klenk on why he chooses to include NUGEN Audio's loudness tools in his curriculum, original article first appeared in 4rfv Magazine.