Michael J. Moritz
Freddy Vinehill-CliffeMichael Moritz joins us for an in-depth Q&A
Frank Morrone
Tom GriffinLM-Correct, ISL and VisLM plug-ins have become essential parts of my workflow that I can’t do without
Mike Prestwood-Smith
Freddy Vinehill-CliffeBAFTA winning re-recording mixer Mike Prestwood-Smith tells us about how he used Halo Upmix on Kingsman: The Golden Circle.
Vaudeville Sound Group
Tom GriffinSound design and mix house deploys NUGEN Audio for immersive sound projects and other applications since its inception.
Phil McGowan
Tom GriffinMcGowan Soundworks talks best practices for score mixing on high-profile Netflix and YouTube projects
Andy Bradfield
Freddy Vinehill-CliffeNUGEN Audio's Visualizer provides accurate metering for Grammy-nominated producer/mixer.
Studio Chelia
Tom GriffinBosnia's Studio Chelia utilizes complete NUGEN Audio Post Bundle.
Alan Meyerson
Tom GriffinRenowned Sound Mixer Alan Meyerson relies on NUGEN Audio for high-profile projects
Jonathan Wales
Freddy Vinehill-CliffeNUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.
Nahuel Bronzini
Freddy Vinehill-CliffeNahuel Bronzini (Fantastic Negrito, Tony! Toni! Toné!) delivers GRAMMY-winning results with NUGEN Audio
Ali Stone
Tom GriffinParagon ST was perfect for 'Bola de Cristal'. It allowed me to give the sound the stereo image and amplitude it needed. The reverb in each track gave the song its sound.
Chris Rudall
Tom GriffinIn Demand Music takes up high-quality, compliant audio up a notch with NUGEN Audio
Vahagn Stepanyan
Freddy Vinehill-CliffeVahagn Stepanyan widens his mix with NUGEN: Stereoizer, Monofilter and MasterCheck plug-ins deliver complete optimization for today’s delivery services.
David Bottrill & Ryan McCambridge
Tom GriffinProducers deem NUGEN's plug-ins essential tools for Mastodon's Hushed and Grim
Cheryl Ottenritter
Freddy Vinehill-CliffeCheryl Ottenritter of Ott House Audio explains how NUGEN Audio products have changed her life, original article first appeared in Resolution Magazine.
Rafa Sardina
Freddy Vinehill-CliffeThirteen-time GRAMMY and Latin GRAMMY-winner selects NUGEN Audio's intuitive plug-ins for superior audio and control.
Emma Butt
Freddy Vinehill-CliffeEmma Butt spoke with us about her beginnings in the audio industry, some favourite career moments, and how NUGEN Audio plug-ins fit in with her workflow.
Alan Sallabank
Freddy Vinehill-CliffeAlan Sallabank describes how Halo Upmix saved the day for him, original article first appeared in Pro Tools Expert.
Richard Sykes
Freddy Vinehill-CliffeFor Richard Sykes, NUGEN is top of the class.
Alex Solano
Tom GriffinAlex Solano elevates his Dolby Atmos music mixes with NUGEN Audio plug-ins.
Angus Davidson
Tom GriffinParagon is a great reverb for everything, but I found it particularly helpful for small spaces.
Lucy Mitchell
Freddy Vinehill-CliffeWe caught up with Lucy to chat about the shift to working freelance, and a few of her favourite NUGEN Audio plug-ins.
Justin Merrill
Tom GriffinIf I have an Atmos mix, I'm definitely using Halo Upmix
Bob Cooper
Freddy Vinehill-CliffeMixing/mastering engineer and music producer Bob Cooper shows us around The Chairworks, and explains how NUGEN Audio's SEQ-S fits into his workflow.
Armand Klenk
Freddy Vinehill-CliffeArmand Klenk on why he chooses to include NUGEN Audio's loudness tools in his curriculum, original article first appeared in 4rfv Magazine.
Mike Dean
Tom GriffinRenowned for his versatility in the studio, GRAMMY® Award-winning Record Producer Mike Dean is who the world’s biggest artists turn to for their production needs.
Ramin Djawadi
Tom GriffinNUGEN Audio's Halo Upmix Plug-in sparks creativity and proves essential to delivering quality sound throughout 'Uncharted' demo process
Peter Cole
Freddy Vinehill-CliffeWe chat with Emmy Award-winning re-recording mixer Peter Cole about integrating loudness targets into his workflow.
Brian Riordan
Freddy Vinehill-CliffeMeeting 5.1 upmix challenges with Emmy Award-winner Brian Riordan, original article first appeared in Post Magazine.
Audrey Martinovich
Freddy Vinehill-CliffeAudrey spoke to us recently about her journey from soprano opera singer to recording engineer.
Rich Aitken
Tom GriffinNUGEN Audio proves essential to Rich Aitken's TV, film & game sound mixing
Alexandra Fehrman
Freddy Vinehill-CliffeA chat with Alexandra about how she got started in the industry, and how NUGEN fits into her workflow.
Florian Camerer
Freddy Vinehill-CliffeLoudness standards and beyond, explained by Florian Camerer, original article first appeared in Resolution Magazine.
Lee Smith
Tom GriffinLee Smith of Greenmount Studios taps NUGEN's Paragon as his go-to room reverb.
Mike Felton
Freddy Vinehill-CliffeBAFTA-nominated engineer Mike Felton talks about how loudness regulations have affected his work, original article first appeared in TVB Europe.
Mr Mig & Mike Rizzo
Freddy Vinehill-CliffeProduction duo Mr Mig & Mike Rizzo of Global Groove Entertainment talk to us about getting the bass to cut through a mix.
Scott Gershin
Freddy Vinehill-CliffeWe discuss compliance and transparency with BAFTA nominated sound editor and mixer Scott Gershin.
Friedemann Tischmeyer
Freddy Vinehill-CliffeRenowned mastering engineer Friedemann Tischmeyer talks mastering for today's distribution platforms and preserving dynamics with MasterCheck.
Keith Alexander
Tom GriffinMaster Engineer Keith Alexander reflects on TV, Radio, Film and Gaming audio post-production
Morgan Page
Freddy Vinehill-CliffeGrammy-nominated dance music producer, DJ and prolific remixer Morgan Page takes time out before a Pacha set to talk to us about kick-drums, space and mono-compatible mixes.
Kate Davis
Freddy Vinehill-CliffeKate sat down to talk us through her career beginnings, and some of her most impactful recent projects. She also had some nice things to say about NUGEN Audio’s Loudness Toolkit!
Korey Pereira
Freddy Vinehill-CliffeNUGEN plug-ins create a smooth workflow and worry-free operation for Korey Pereira.
Jett Galindo
Tom GriffinI had to completely rely on my plug-ins to ensure the choral experience translated to how they sounded live, and I accomplished this beautifully with Paragon.
Robert Nation
Freddy Vinehill-CliffePreparing for the new world of loudness-normalization with audio veteran Robert Nation, NUGEN Audio tools have smoothed the way.
Soya Soo
Tom GriffinUsing Stereoizer helps me make the mix sound wider so that the listener feels that same sense of space and dimension
Bill Evans
Freddy Vinehill-CliffeBill Evans - executive producer, engineer, and manager for progressive rock super group Flying Colors - has adopted Halo Upmix.
Ruy Garcia
Freddy Vinehill-CliffeAward-winning Re-Recording Mixer, Sound Editor and Sound Designer Ruy Garcia uses Halo Upmix to preserve the character of the original audio
Ben Feggans
Freddy Vinehill-CliffeBen Feggans talks us through using VisLM for effective multilingual loudness management, original article first appeared in AP Broadcast.
Chris Fogel
Tom GriffinELBO Studios implements NUGEN Audio for wide array of music and film scoring projects.
Simon Hill
Freddy Vinehill-CliffeSimon Hill utilizes NUGEN loudness and upmix plug-ins for TV and film projects
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