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User Stories

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MUSIC PRODUCTION

POST PRODUCTION

Kiss, Paul McCartney, Ricky Martin

Veteran producer Peter McCabe explains how NUGEN Audio plug-ins have helped him to evolve with the times, original article first appeared in Broadcast Beat.

Veronica Ferraro

Veronica Ferraro

David Guetta, Natalie Imbruglia, P!nk

Our Q&A with an acclaimed mixing engineer, and CEO at French Audio Village.

Michael Stearns

Michael Stearns

Zydeco Breakfast

Find out how sound designer Michael Stearns transformed mono recordings into a stereo film soundtrack using NUGEN tools.

Ayako Yamauchi calls on NUGEN Post for gaming and streaming projects

Royal College of Art

Mike Wyeld, award-winning filmmaker, sound designer and educator, describes how NUGEN Audio keeps RCA at the top of its game, original article first appeared in TV Bay.

Jim Schultz & Michael Minkler

Jim Schultz & Michael Minkler

One Upon a Time in Hollywood

NUGEN fine-tunes mix for Tarantino's Once Upon A Time In Hollywood

Pink Floyd, Weezer, Barbra Streisand

I had to completely rely on my plug-ins to ensure the choral experience translated to how they sounded live, and I accomplished this beautifully with Paragon.

Metropolis Studio

Metropolis Studio

Mastodon, Rush, Dream Theater

METROPOLIS STUDIO TAPS NUGEN AUDIO FOR IMMERSIVE SOUND MIXES

Futurama, Pee-wee’s Playhouse, Max Headroom

We chat with Emmy Award-winning re-recording mixer Peter Cole about integrating loudness targets into his workflow.

Trevor Horn, Seal, Genesis

Justin Fraser discusses loudness, and how he has incorporated it into his curriculum, original article first appeared in TV Tech magazine.

Rising Free, Top Gear, Derry Girls

We caught up with Lucy to chat about the shift to working freelance, and a few of her favourite NUGEN Audio plug-ins.

Keith Alexander

Keith Alexander

Adorama, Lady Betty, Perfecting Audio

MASTER ENGINEER KEITH ALEXANDER REFLECTS ONTV, RADIO, FILM AND GAMING AUDIO POST-PRODUCTION

Mr Mig & Mike Rizzo

Mr Mig & Mike Rizzo

Cher, Lady Gaga, Taylor Swift

Production duo Mr Mig & Mike Rizzo of Global Groove Entertainment talk to us about getting the bass to cut through a mix.

HGTV, NatGeo, History

Allison talks post production and inclusivity, and gives us an insight into her fast turnarounds for long-form unscripted TV.

Audrey Martinovich

Comedy Central, Wisconsin Youth Symphony Orchestras

Audrey spoke to us recently about her journey from soprano opera singer to recording engineer.

Jan ‘Stan’ Kybert

Jan 'Stan' Kybert

Oasis, Paul Weller, Björk

Jan 'Stan' Kybert talks mixing with the left and right brain, original article first appeared in Audio Media Magazine.

Special Broadcasting Service, Australia

Ben Feggans talks us through using VisLM for effective multilingual loudness management, original article first appeared in AP Broadcast.

Aretha Franklin, Stevie Wonder

Grammy Award-winner Dave Isaac describes how NUGEN Audio tools have enhanced his creative process, original article first appeared in Regional Film and Video.

Survivor, Fear Factor, Total Wipeout USA

Terrance Dwyer describes how NUGEN Audio's ISL has streamlined his workflow, original article first appeared in Prensario Magazine.

Miley Cyrus, Best Coast, The Rolling Stones, New Order, Rihanna, Britney Spears

Inside the mix with Xandy Barry

Mike Prestwood-Smith

Mike Prestwood-Smith

Billy Elliot, Casino Royale, The Hunger Games

BAFTA winning re-recording mixer Mike Prestwood-Smith tells us about how he used Halo Upmix on Kingsman: The Golden Circle.

Dr. Sleep, 13 Reasons Why

NUGEN Audio delivers unrestricted creativity and control for re-recording mixer Jonathan Wales.

Ryse: Son of Rome, Far Cry, Crysis

We hear from Crytek's Simon Pressey about delivering a high-quality gaming experience using NUGEN Audio's loudness tools.

Shoreline Studios

Gary Zacuto and Garrard Whatley

Shoreline Studios

Gary Zacuto and Garrard Whatley explain how they use NUGEN Audio’s ISL True Peak limiter in creating sound design for some of the world’s top game trailers.

David Bowie, Nubya Garcia

Cicely spoke about her career to date, including her work on David Bowie's back catalogue.

American Beauty, Resident Evil, Pacific Rim

We discuss compliance and transparency with BAFTA nominated sound editor and mixer Scott Gershin.

Jacques Boulanger

Jacques Boulanger

Creative Audio Post

Jacques Boulanger, Emmy Award-winning sound engineer, describes the challenge of upmixing Natalie Merchant's latest film project.

Michael J. Moritz

Michael J. Moritz

Michael Moritz joins us for an in-depth Q&A

American Idol, Flight of the Conchords, Drunk History, Top Gear

Meeting 5.1 upmix challenges with Emmy Award-winner Brian Riordan, original article first appeared in Post Magazine.

Sonic Highways, 7 Days in Hell, Drugs Inc.

Daniel Jones of Vaudeville Post talks staying on spec with NUGEN Audio.

Immersive Audio Solutions

Immersive Audio Solutions

IAS finds the right mix with Paragon and Halo Upmix.

Husky Höskulds

Norah Jones, Fantomas, Elvis Costello

Husky Höskulds discusses flexible workflows using NUGEN plug-ins.

Beyoncé, Macy Gray, Mary J. Blige

Grammy Award-winning engineer Dave Pensado gives some tips on stereo widening, including his thoughts on NUGEN’s Stereoizer plug-in.

Renowned Bollywood sound engineer Sreejesh Nair chooses Halo Upmix to produce a powerfully immersive upmix on a broad range of cinema projects.

Norah Jones, Dolly Parton, Chaka Khan

Mastering engineer Alan Silverman takes his musical expertise and applies it to music-oriented films, original article first appeared in Post Magazine.

Nai Harvest, Nervus, Cultdreams, itoldyouiwouldeatyou

Mixing/mastering engineer and music producer Bob Cooper shows us around The Chairworks, and explains how NUGEN Audio's SEQ-S fits into his workflow.

Southern Cross Austero

Engineer Steven Fox explains how LM-Correct helps him hit loudness targets every time, original article first appeared in C&T Asia.

Deadliest Catch, Honey Boo Boo, Horrible Histories

Stress-free upmixing with Jeff Mullen of Sonichead, original article first appeared in Pro Sound News.

Far Cry 2, Clumsy Ninja, Driv3r

Richard Aitken talks loudness for games and adapting to changes in the industry.

Aufaferix, Dean Street Studios

Jan Kybert partners with London's Dean Street Studios to provide a new avenue of creativity for Dolby Atmos music mixing

Florian Camerer

Florian Camerer

Vienna Philharmonic Orchestra

Loudness standards and beyond, explained by Florian Camerer, original article first appeared in Resolution Magazine.

Boyz II Men, Tyrese, Brandy

NUGEN Producer bundle and Loudness Toolkit are a mainstay in mix engineer Jorel Corpus' toolbox.

DELTA Soundworks

DELTA Soundworks

An in-depth Q&A with Ana Monte (lead sound designer) and Daniel Deboy (lead sound engineer), co-founders of DELTA Soundworks

deadmau5, Tegan and Sara, HIM

Grammy-nominated dance music producer, DJ and prolific remixer Morgan Page takes time out before a Pacha set to talk to us about kick-drums, space and mono-compatible mixes.

Tabija, Tako da ne ostane ziva

NUGEN Post bundle gives you options to not only be creative, but also work more efficiently for a wide array of projects.

The Haunting of Hill House, Get Out, Meet the Parents

NUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.

Shawn Mendes, Rihanna, Drake

Juno winning mix engineer George Seara talks to us about empowering artists, creative workflows and why he chooses NUGEN Audio.

Later... With Jools Holland

BAFTA-nominated engineer Mike Felton talks about how loudness regulations have affected his work, original article first appeared in TVB Europe.

Christoph Thompson

Christoph Thompson

Ball State University

Ball State University calls on NUGEN Audio's Loudness Toolkit for special Netflix research project

Kung Fu Panda, Kingsman, Eddie the Eagle

NUGEN delivers deeper workflow control for mix engineer Alvin Wee.