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User Stories

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MUSIC PRODUCTION

POST PRODUCTION

Nahuel Bronzini

Nahuel Bronzini

Fantastic Negrito, Tony! Toni! Toné!

Nahuel Bronzini (Fantastic Negrito, Tony! Toni! Toné!) delivers GRAMMY-winning results with NUGEN Audio

Royal College of Art

Mike Wyeld, award-winning filmmaker, sound designer and educator, describes how NUGEN Audio keeps RCA at the top of its game, original article first appeared in TV Bay.

Rising Free, Top Gear, Derry Girls

We caught up with Lucy to chat about the shift to working freelance, and a few of her favourite NUGEN Audio plug-ins.

Mike Prestwood-Smith

Mike Prestwood-Smith

Billy Elliot, Casino Royale, The Hunger Games

BAFTA winning re-recording mixer Mike Prestwood-Smith tells us about how he used Halo Upmix on Kingsman: The Golden Circle.

Thomas Cassetta

Thomas Cassetta

Andrew Schulz, Jim Jefferies, Ari Shaffir

Ayako Yamauchi calls on NUGEN Post for gaming and streaming projects

Cheryl Ottenritter

Cheryl Ottenritter

National Geographic, Smithsonian Channel

Cheryl Ottenritter of Ott House Audio explains how NUGEN Audio products have changed her life, original article first appeared in Resolution Magazine.

Vaudeville Sound Group

Vaudeville Sound Group

Amazing War Stories, National Geographic, Animal Planet, Disney, BBC

Sound design and mix house deploys NUGEN Audio for immersive sound projects and other applications since its inception.

Pink Floyd, Weezer, Barbra Streisand

I had to completely rely on my plug-ins to ensure the choral experience translated to how they sounded live, and I accomplished this beautifully with Paragon.

Midnight Mass, Fall of the House of Usher, The Red Door, The Black Phone

The Re-recording and Scoring Mixer Relies on NUGEN Audio Solutions to Create Unique Cinematic Experiences for Horror Fans Everywhere

Finding Dory, LCD Soundsystem Live at MSG

Alan Sallabank describes how Halo Upmix saved the day for him, original article first appeared in Pro Tools Expert.

Aufaferix, Dean Street Studios

Jan Kybert partners with London's Dean Street Studios to provide a new avenue of creativity for Dolby Atmos music mixing

Promising Young Woman, Ozark, Antebellum, Cobra Kai

McGowan Soundworks talks best practices for score mixing on high-profile Netflix and YouTube projects

Armand Klenk on why he chooses to include NUGEN Audio's loudness tools in his curriculum, original article first appeared in 4rfv Magazine.

Coldplay, Jay-Z, Portishead

RIK SIMPSON TURNS TO NUGEN AUDIO FOR COLDPLAY’S “MUSIC OF THE SPHERES: LIVE IN BUENOS AIRES”

Southern Cross Austero

Engineer Steven Fox explains how LM-Correct helps him hit loudness targets every time, original article first appeared in C&T Asia.

Later... With Jools Holland

BAFTA-nominated engineer Mike Felton talks about how loudness regulations have affected his work, original article first appeared in TVB Europe.

Kanye West, Rihanna, Lupe Fiasco

Midsommar, Wendy, Boardwalk Empire

Award-winning Re-Recording Mixer, Sound Editor and Sound Designer Ruy Garcia uses Halo Upmix to preserve the character of the original audio

Mark Henry Phillips

Mark Henry Phillips

Mark Henry Phillips explains how VisLM and ISL both fit into his workflow.

Alexandra Fehrman

Alexandra Fehrman

The Boys, The Happiest Season, CODA

A chat with Alexandra about how she got started in the industry, and how NUGEN fits into her workflow.

Florian Camerer

Florian Camerer

Vienna Philharmonic Orchestra

Loudness standards and beyond, explained by Florian Camerer, original article first appeared in Resolution Magazine.

Keith Alexander

Keith Alexander

Adorama, Lady Betty, Perfecting Audio

Master Engineer Keith Alexander reflects on TV, Radio, Film and Gaming audio post-production

Veronica Ferraro

Veronica Ferraro

David Guetta, Natalie Imbruglia, P!nk

Our Q&A with an acclaimed mixing engineer, and CEO at French Audio Village.

Sleepy Hollow, Todd AO, Ron Howard, Tim Burton

LM-Correct, ISL and VisLM plug-ins have become essential parts of my workflow that I can’t do without

Erinn E. Thorp discusses simplifying loudness compliance with NUGEN Audio plug-ins, original article first appeared in TV Tech.

Sonic Highways, 7 Days in Hell, Drugs Inc.

Daniel Jones of Vaudeville Post talks staying on spec with NUGEN Audio.

Deadliest Catch, Honey Boo Boo, Horrible Histories

Stress-free upmixing with Jeff Mullen of Sonichead, original article first appeared in Pro Sound News.

Universal Music, Warner Music, Atlantic Records

Alex Solano elevates his Dolby Atmos music mixes with NUGEN Audio plug-ins

Norah Jones, Dolly Parton, Chaka Khan

Mastering engineer Alan Silverman takes his musical expertise and applies it to music-oriented films, original article first appeared in Post Magazine.

We chatted with Thom about God Damn's new self-produced album, and his favourite NUGEN plug-ins.

HGTV, NatGeo, History

Allison talks post production and inclusivity, and gives us an insight into her fast turnarounds for long-form unscripted TV.

HBO Director of Post Production Sound

NUGEN Audio helps bring “Sex And The City” remaster to life

Survivor, Fear Factor, Total Wipeout USA

Terrance Dwyer describes how NUGEN Audio's ISL has streamlined his workflow, original article first appeared in Prensario Magazine.

Up, Michael Moore's Sicko

Preparing for the new world of loudness-normalization with audio veteran Robert Nation, NUGEN Audio tools have smoothed the way.

Wyclef Jean, Lady Gaga, Good Morning America

Audrey Martinovich

Comedy Central, Wisconsin Youth Symphony Orchestras

Audrey spoke to us recently about her journey from soprano opera singer to recording engineer.

Beyonce, Jay-Z, Frank Ocean, The Weeknd

Renowned for his versatility in the studio, GRAMMY® Award-winning Record Producer Mike Dean is who the world’s biggest artists turn to for their production needs.

Far Cry 2, Clumsy Ninja, Driv3r

Richard Aitken talks loudness for games and adapting to changes in the industry.

Abbey Road, Reservoir Dogs, Silent Witness, Casaulty, Queen Sono

NUGEN Audio proves essential to Rich Aitken's TV, film & game sound mixing

Michael Phillips Keeley

Michael Phillips Keeley

Michael Phillips Keeley utilized NUGEN plug-ins to perfect the sound for SpaceX documentary

The Haunting of Hill House, Get Out, Meet the Parents

NUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.

Nahuel Bronzini

Nahuel Bronzini

Brand’s Various Solutions Enhance Creativity and Set the Tone for GRAMMY^® Award-winning Producer, Arranger and Engineer

Alexandra Fehrman

Alexandra Fehrman

The Boys, Formosa Group

Post-Production software provides flexibility, reliability for Alexandra Fehrman.

DELTA Soundworks

DELTA Soundworks

An in-depth Q&A with Ana Monte (lead sound designer) and Daniel Deboy (lead sound engineer), co-founders of DELTA Soundworks

Pirates of the Caribbean, Shrek, Dunkirk, The Dark Knight, Wonder Woman

Renowned Sound Mixer Alan Meyerson relies on NUGEN Audio for high-profile projects

Shawn Mendes, Rihanna, Drake

Juno winning mix engineer George Seara talks to us about empowering artists, creative workflows and why he chooses NUGEN Audio.

Friedemann Tischmeyer

Friedemann Tischmeyer

Steely Dan, Johnny Cash, Audio Mastering Trilogy

Renowned mastering engineer Friedemann Tischmeyer talks mastering for today's distribution platforms and preserving dynamics with MasterCheck.

Shoreline Studios

Gary Zacuto and Garrard Whatley

Shoreline Studios

Gary Zacuto and Garrard Whatley explain how they use NUGEN Audio’s ISL True Peak limiter in creating sound design for some of the world’s top game trailers.

The Lion King, Dark Phoenix