Michael Stearns
Freddy Vinehill-CliffeFind out how sound designer Michael Stearns transformed mono recordings into a stereo film soundtrack using NUGEN tools.
Nahuel Bronzini
Tom GriffinBrand’s Various Solutions Enhance Creativity and Set the Tone for GRAMMY® Award-winning Producer, Arranger and Engineer
Brian Riordan
Freddy Vinehill-CliffeMeeting 5.1 upmix challenges with Emmy Award-winner Brian Riordan, original article first appeared in Post Magazine.
Mike Felton
Freddy Vinehill-CliffeBAFTA-nominated engineer Mike Felton talks about how loudness regulations have affected his work, original article first appeared in TVB Europe.
Nic Hard and Fab Dupont
Tom GriffinSnarky Puppy's latest album mixed in Dolby Atmos
Alexandra Fehrman
Freddy Vinehill-CliffeA chat with Alexandra about how she got started in the industry, and how NUGEN fits into her workflow.
Mike Prestwood-Smith
Freddy Vinehill-CliffeBAFTA winning re-recording mixer Mike Prestwood-Smith tells us about how he used Halo Upmix on Kingsman: The Golden Circle.
Rik Simpson
Tom GriffinRIK SIMPSON TURNS TO NUGEN AUDIO FOR COLDPLAY’S “MUSIC OF THE SPHERES: LIVE IN BUENOS AIRES”
Bob Cooper
Freddy Vinehill-CliffeMixing/mastering engineer and music producer Bob Cooper shows us around The Chairworks, and explains how NUGEN Audio's SEQ-S fits into his workflow.
David Hough
Freddy Vinehill-CliffeDavid Hough explains why he uses NUGEN Audio's VisLM to keep his programs CALM-compliant and meet strict PBS specs.
Tre Nagella
Freddy Vinehill-CliffeNUGEN Audio's elite plug-ins deliver deeper control for producer/mixer Tre Nagella
Mark Henry Phillips
Freddy Vinehill-CliffeMark Henry Phillips explains how VisLM and ISL both fit into his workflow.
DELTA Soundworks
Freddy Vinehill-CliffeAn in-depth Q&A with Ana Monte (lead sound designer) and Daniel Deboy (lead sound engineer), co-founders of DELTA Soundworks
Nahuel Bronzini
Freddy Vinehill-CliffeNahuel Bronzini (Fantastic Negrito, Tony! Toni! Toné!) delivers GRAMMY-winning results with NUGEN Audio
Ruy Garcia
Freddy Vinehill-CliffeAward-winning Re-Recording Mixer, Sound Editor and Sound Designer Ruy Garcia uses Halo Upmix to preserve the character of the original audio
Audrey Martinovich
Freddy Vinehill-CliffeAudrey spoke to us recently about her journey from soprano opera singer to recording engineer.
Jan ‘Stan’ Kybert
Freddy Vinehill-CliffeJan 'Stan' Kybert talks mixing with the left and right brain, original article first appeared in Audio Media Magazine.
Allison Casey
Freddy Vinehill-CliffeAllison talks post production and inclusivity, and gives us an insight into her fast turnarounds for long-form unscripted TV.
Alan Silverman
Freddy Vinehill-CliffeMastering engineer Alan Silverman takes his musical expertise and applies it to music-oriented films, original article first appeared in Post Magazine.
Christoph Thompson
Freddy Vinehill-CliffeBall State University calls on NUGEN Audio's Loudness Toolkit for special Netflix research project
Daniel Jones
Freddy Vinehill-CliffeDaniel Jones of Vaudeville Post talks staying on spec with NUGEN Audio.
Veronica Ferraro
Freddy Vinehill-CliffeOur Q&A with an acclaimed mixing engineer, and CEO at French Audio Village.
Jett Galindo
Tom GriffinI had to completely rely on my plug-ins to ensure the choral experience translated to how they sounded live, and I accomplished this beautifully with Paragon.
Phil McGowan
Tom GriffinMcGowan Soundworks talks best practices for score mixing on high-profile Netflix and YouTube projects
Jonathan Garcia
Tom GriffinSamuele Tezza
Freddy Vinehill-CliffeSamuele Tezza explains why SAMPLE relies on NUGEN Audio's LMB in post-production, original article first appeared in TV Bay.
Lee Smith
Tom GriffinLee Smith of Greenmount Studios taps NUGEN's Paragon as his go-to room reverb.
Beckview Studios
Tom GriffinI began incorporating other NUGEN solutions into my workflow, and they have all become staples for me. Now, specifically Aligner, is used on just about everything I work on — it’s my favorite.
Jeff Mullen
Freddy Vinehill-CliffeStress-free upmixing with Jeff Mullen of Sonichead, original article first appeared in Pro Sound News.
Simon Hill
Freddy Vinehill-CliffeSimon Hill utilizes NUGEN loudness and upmix plug-ins for TV and film projects
Cheryl Ottenritter
Freddy Vinehill-CliffeCheryl Ottenritter of Ott House Audio explains how NUGEN Audio products have changed her life, original article first appeared in Resolution Magazine.
Kate Davis
Freddy Vinehill-CliffeKate sat down to talk us through her career beginnings, and some of her most impactful recent projects. She also had some nice things to say about NUGEN Audio’s Loudness Toolkit!
Armand Klenk
Freddy Vinehill-CliffeArmand Klenk on why he chooses to include NUGEN Audio's loudness tools in his curriculum, original article first appeared in 4rfv Magazine.
Scott Anthony
Freddy Vinehill-CliffeScott Anthony talks integrating Halo Upmix into his workflow.
Germaine Franco
Tom GriffinBrand’s Plug-ins Serve as Go-to Solutions for Various Large-scale Film Projects, Including Encanto and Netflix’s The Mother
Bob Pepek
Tom GriffinNUGEN Audio helps 3 Days Rising Horror/Thriller make spines tingle
Cicely Balston
Freddy Vinehill-CliffeCicely spoke about her career to date, including her work on David Bowie's back catalogue.
Chris Fogel
Tom GriffinA Variety of the Brand’s Plug-ins Serve as Long-time, Essential Solutions for the Multiple Award-winning Recording and Mixing Engineer
Lucy Mitchell
Freddy Vinehill-CliffeWe caught up with Lucy to chat about the shift to working freelance, and a few of her favourite NUGEN Audio plug-ins.
Shreyas Srinivas
Freddy Vinehill-CliffeNUGEN plug-ins enhance the mix without burying significant dialogue for Shreyas Srinivas.
Terrance Dwyer
Freddy Vinehill-CliffeTerrance Dwyer describes how NUGEN Audio's ISL has streamlined his workflow, original article first appeared in Prensario Magazine.
Sreejesh Nair
Freddy Vinehill-CliffeRenowned Bollywood sound engineer Sreejesh Nair chooses Halo Upmix to produce a powerfully immersive upmix on a broad range of cinema projects.
Florian Camerer
Freddy Vinehill-CliffeLoudness standards and beyond, explained by Florian Camerer, original article first appeared in Resolution Magazine.
Ali Stone
Tom GriffinParagon ST was perfect for 'Bola de Cristal'. It allowed me to give the sound the stereo image and amplitude it needed. The reverb in each track gave the song its sound.
Michael J. Moritz
Freddy Vinehill-CliffeMichael Moritz joins us for an in-depth Q&A
Jordan Schultz
Tom GriffinQ&A with mixing & mastering engineer Jordan Schultz
Xandy Barry
Tom GriffinInside the mix with Xandy Barry
Thierry De Vries
Tom GriffinSelection of intuitive high-quality plug-ins provide seamless integration and smooth workflow for owner and industry veteran Thierry De Vries.
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