Richard Sykes
Freddy Vinehill-CliffeFor Richard Sykes, NUGEN is top of the class.
Michael Phillips Keeley
Freddy Vinehill-CliffeMichael Phillips Keeley utilized NUGEN plug-ins to perfect the sound for SpaceX documentary
James Wichall
Tom GriffinNUGEN Audio loudness plug-ins prove essential for re-recording mixer James Wichall
David Hough
Freddy Vinehill-CliffeDavid Hough explains why he uses NUGEN Audio's VisLM to keep his programs CALM-compliant and meet strict PBS specs.
Morgan Page
Freddy Vinehill-CliffeGrammy-nominated dance music producer, DJ and prolific remixer Morgan Page takes time out before a Pacha set to talk to us about kick-drums, space and mono-compatible mixes.
Nartan Savona
Freddy Vinehill-CliffeThe owner/operator of Nartan Records utilizes NUGEN Audio software to create pristine audio and meet all streaming standards
Alexandra Fehrman
Tom GriffinPost-Production software provides flexibility, reliability for Alexandra Fehrman.
Chris Fogel
Tom GriffinA Variety of the Brand’s Plug-ins Serve as Long-time, Essential Solutions for the Multiple Award-winning Recording and Mixing Engineer
Nick Squillante
Tom GriffinNick “Squids” Squillante taps NUGEN Audio for Dolby Atmos mixes.
Joe Barnett
Freddy Vinehill-CliffeRe-recording mixer Joe Barnett relies on Halo Upmix for 5.1, 7.1 and Atmos projects.
Terrance Dwyer
Freddy Vinehill-CliffeTerrance Dwyer describes how NUGEN Audio's ISL has streamlined his workflow, original article first appeared in Prensario Magazine.
Jan ‘Stan’ Kybert
Freddy Vinehill-CliffeJan 'Stan' Kybert talks mixing with the left and right brain, original article first appeared in Audio Media Magazine.
Alex Solano
Tom GriffinAlex Solano elevates his Dolby Atmos music mixes with NUGEN Audio plug-ins.
Jonathan Wales
Tom GriffinNUGEN Audio delivers unrestricted creativity and control for re-recording mixer Jonathan Wales.
Christoph Thompson
Freddy Vinehill-CliffeBall State University calls on NUGEN Audio's Loudness Toolkit for special Netflix research project
Peter McCabe
Freddy Vinehill-CliffeVeteran producer Peter McCabe explains how NUGEN Audio plug-ins have helped him to evolve with the times, original article first appeared in Broadcast Beat.
Audrey Martinovich
Freddy Vinehill-CliffeAudrey spoke to us recently about her journey from soprano opera singer to recording engineer.
Mike Wyeld
Freddy Vinehill-CliffeMike Wyeld, award-winning filmmaker, sound designer and educator, describes how NUGEN Audio keeps RCA at the top of its game, original article first appeared in TV Bay.
Beckview Studios
Tom GriffinI began incorporating other NUGEN solutions into my workflow, and they have all become staples for me. Now, specifically Aligner, is used on just about everything I work on — it’s my favorite.
Robert Nation
Freddy Vinehill-CliffePreparing for the new world of loudness-normalization with audio veteran Robert Nation, NUGEN Audio tools have smoothed the way.
Korey Pereira
Freddy Vinehill-CliffeNUGEN plug-ins create a smooth workflow and worry-free operation for Korey Pereira.
Thom Egerton
Freddy Vinehill-CliffeWe chatted with Thom about God Damn's new self-produced album, and his favourite NUGEN plug-ins.
Studio Chelia
Tom GriffinBosnia's Studio Chelia utilizes complete NUGEN Audio Post Bundle.
Jim Schultz & Michael Minkler
Freddy Vinehill-CliffeNUGEN fine-tunes mix for Tarantino's Once Upon A Time In Hollywood
Friedemann Tischmeyer
Freddy Vinehill-CliffeRenowned mastering engineer Friedemann Tischmeyer talks mastering for today's distribution platforms and preserving dynamics with MasterCheck.
Germaine Franco
Tom GriffinBrand’s Plug-ins Serve as Go-to Solutions for Various Large-scale Film Projects, Including Encanto and Netflix’s The Mother
Steven Fox
Freddy Vinehill-CliffeEngineer Steven Fox explains how LM-Correct helps him hit loudness targets every time, original article first appeared in C&T Asia.
Bill Evans
Freddy Vinehill-CliffeBill Evans - executive producer, engineer, and manager for progressive rock super group Flying Colors - has adopted Halo Upmix.
Allison Casey
Freddy Vinehill-CliffeAllison talks post production and inclusivity, and gives us an insight into her fast turnarounds for long-form unscripted TV.
Mr Mig & Mike Rizzo
Freddy Vinehill-CliffeProduction duo Mr Mig & Mike Rizzo of Global Groove Entertainment talk to us about getting the bass to cut through a mix.
Jonathan Wales
Freddy Vinehill-CliffeNUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.
Justin Merrill
Tom GriffinIf I have an Atmos mix, I'm definitely using Halo Upmix
Mike Felton
Freddy Vinehill-CliffeBAFTA-nominated engineer Mike Felton talks about how loudness regulations have affected his work, original article first appeared in TVB Europe.
Alvin Wee
Freddy Vinehill-CliffeNUGEN delivers deeper workflow control for mix engineer Alvin Wee.
Kate Davis
Freddy Vinehill-CliffeKate sat down to talk us through her career beginnings, and some of her most impactful recent projects. She also had some nice things to say about NUGEN Audio’s Loudness Toolkit!
Keith Alexander
Tom GriffinMaster Engineer Keith Alexander reflects on TV, Radio, Film and Gaming audio post-production
Rik Simpson
Tom GriffinRIK SIMPSON TURNS TO NUGEN AUDIO FOR COLDPLAY’S “MUSIC OF THE SPHERES: LIVE IN BUENOS AIRES”
Immersive Audio Solutions
Freddy Vinehill-CliffeIAS finds the right mix with Paragon and Halo Upmix.
Chris Rudall
Tom GriffinIn Demand Music takes up high-quality, compliant audio up a notch with NUGEN Audio
Jonathan Wales
Tom GriffinThe Re-recording and Scoring Mixer Relies on NUGEN Audio Solutions to Create Unique Cinematic Experiences for Horror Fans Everywhere
Hendrik Simoens
Freddy Vinehill-CliffeBelgian broadcaster Hendrik Simoens discusses loudness solutions and the importance of accurate measurements in the field.
Husky Höskulds
Freddy Vinehill-CliffeHusky Höskulds discusses flexible workflows using NUGEN plug-ins.
Ben Feggans
Freddy Vinehill-CliffeBen Feggans talks us through using VisLM for effective multilingual loudness management, original article first appeared in AP Broadcast.
Michael J. Moritz
Freddy Vinehill-CliffeMichael Moritz joins us for an in-depth Q&A
Jan Kybert
Freddy Vinehill-CliffeJan Kybert partners with London's Dean Street Studios to provide a new avenue of creativity for Dolby Atmos music mixing
Simon Hill
Freddy Vinehill-CliffeSimon Hill utilizes NUGEN loudness and upmix plug-ins for TV and film projects
Andy Bradfield
Freddy Vinehill-CliffeNUGEN Audio's Visualizer provides accurate metering for Grammy-nominated producer/mixer.
Phil McGowan
Tom GriffinMcGowan Soundworks talks best practices for score mixing on high-profile Netflix and YouTube projects
Cicely Balston
Freddy Vinehill-CliffeCicely spoke about her career to date, including her work on David Bowie's back catalogue.
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