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Justin FraserFreddy Vinehill-Cliffe
Justin Fraser discusses loudness, and how he has incorporated it into his curriculum, original article first appeared in TV Tech magazine.
Mike WyeldFreddy Vinehill-Cliffe
Mike Wyeld, award-winning filmmaker, sound designer and educator, describes how NUGEN Audio keeps RCA at the top of its game, original article first appeared in TV Bay.
Dave IsaacFreddy Vinehill-Cliffe
Grammy Award-winner Dave Isaac describes how NUGEN Audio tools have enhanced his creative process, original article first appeared in Regional Film and Video.
Peter McCabeFreddy Vinehill-Cliffe
Veteran producer Peter McCabe explains how NUGEN Audio plug-ins have helped him to evolve with the times, original article first appeared in Broadcast Beat.
Alan SilvermanFreddy Vinehill-Cliffe
Mastering engineer Alan Silverman takes his musical expertise and applies it to music-oriented films, original article first appeared in Post Magazine.
David HoughFreddy Vinehill-Cliffe
David Hough explains why he uses NUGEN Audio's VisLM to keep his programs CALM-compliant and meet strict PBS specs.
Jeff MullenFreddy Vinehill-Cliffe
Stress-free upmixing with Jeff Mullen of Sonichead, original article first appeared in Pro Sound News.
Husky HöskuldsFreddy Vinehill-Cliffe
Husky Höskulds discusses flexible workflows using NUGEN plug-ins.
Korey PereiraFreddy Vinehill-Cliffe
NUGEN plug-ins create a smooth workflow and worry-free operation for Korey Pereira.
Ben FeggansFreddy Vinehill-Cliffe
Ben Feggans talks us through using VisLM for effective multilingual loudness management, original article first appeared in AP Broadcast.
Morgan PageFreddy Vinehill-Cliffe
Grammy-nominated dance music producer, DJ and prolific remixer Morgan Page takes time out before a Pacha set to talk to us about kick-drums, space and mono-compatible mixes.
Steven FoxFreddy Vinehill-Cliffe
Engineer Steven Fox explains how LM-Correct helps him hit loudness targets every time, original article first appeared in C&T Asia.
Mr Mig & Mike RizzoFreddy Vinehill-Cliffe
Production duo Mr Mig & Mike Rizzo of Global Groove Entertainment talk to us about getting the bass to cut through a mix.
Terrance DwyerFreddy Vinehill-Cliffe
Terrance Dwyer describes how NUGEN Audio's ISL has streamlined his workflow, original article first appeared in Prensario Magazine.
Tre NagellaFreddy Vinehill-Cliffe
NUGEN Audio's elite plug-ins deliver deeper control for producer/mixer Tre Nagella
Armand KlenkFreddy Vinehill-Cliffe
Armand Klenk on why he chooses to include NUGEN Audio's loudness tools in his curriculum, original article first appeared in 4rfv Magazine.
Joe BarnettFreddy Vinehill-Cliffe
Re-recording mixer Joe Barnett relies on Halo Upmix for 5.1, 7.1 and Atmos projects.
Daniel JonesFreddy Vinehill-Cliffe
Daniel Jones of Vaudeville Post talks staying on spec with NUGEN Audio.
Shoreline StudiosFreddy Vinehill-Cliffe
Gary Zacuto and Garrard Whatley explain how they use NUGEN Audio’s ISL True Peak limiter in creating sound design for some of the world’s top game trailers.
Nick FryFreddy Vinehill-Cliffe
Building loudness into the mix with BAFTA winner Nick Fry, original article first appeared in TVB Europe.
Andy BradfieldFreddy Vinehill-Cliffe
NUGEN Audio's Visualizer provides accurate metering for Grammy-nominated producer/mixer.
Howie WeinbergFreddy Vinehill-Cliffe
We catch up with Howie Weinberg in his Los Angeles studio to discuss mastering for the internet age with MasterCheck Pro.
Jonathan WalesFreddy Vinehill-Cliffe
NUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.
Jim Schultz & Michael MinklerFreddy Vinehill-Cliffe
NUGEN fine-tunes mix for Tarantino's Once Upon A Time In Hollywood
Jorel CorpusFreddy Vinehill-Cliffe
NUGEN Producer bundle and Loudness Toolkit are a mainstay in mix engineer Jorel Corpus' toolbox.
Jan ‘Stan’ KybertFreddy Vinehill-Cliffe
Jan 'Stan' Kybert talks mixing with the left and right brain, original article first appeared in Audio Media Magazine.
Bill EvansFreddy Vinehill-Cliffe
Bill Evans - executive producer, engineer, and manager for progressive rock super group Flying Colors - has adopted Halo Upmix.
Cheryl OttenritterFreddy Vinehill-Cliffe
Cheryl Ottenritter of Ott House Audio explains how NUGEN Audio products have changed her life, original article first appeared in Resolution Magazine.
Simon PresseyFreddy Vinehill-Cliffe
We hear from Crytek's Simon Pressey about delivering a high-quality gaming experience using NUGEN Audio's loudness tools.
Samuele TezzaFreddy Vinehill-Cliffe
Samuele Tezza explains why SAMPLE relies on NUGEN Audio's LMB in post-production, original article first appeared in TV Bay.
Mike FeltonFreddy Vinehill-Cliffe
BAFTA-nominated engineer Mike Felton talks about how loudness regulations have affected his work, original article first appeared in TVB Europe.
Hendrik SimoensFreddy Vinehill-Cliffe
Belgian broadcaster Hendrik Simoens discusses loudness solutions and the importance of accurate measurements in the field.
Robert NationFreddy Vinehill-Cliffe
Preparing for the new world of loudness-normalization with audio veteran Robert Nation, NUGEN Audio tools have smoothed the way.
Erinn E. ThorpFreddy Vinehill-Cliffe
Erinn E. Thorp discusses simplifying loudness compliance with NUGEN Audio plug-ins, original article first appeared in TV Tech.
Scott AnthonyFreddy Vinehill-Cliffe
Scott Anthony talks integrating Halo Upmix into his workflow.
Peter ColeFreddy Vinehill-Cliffe
We chat with Emmy Award-winning re-recording mixer Peter Cole about integrating loudness targets into his workflow.
Dave PensadoFreddy Vinehill-Cliffe
Grammy Award-winning engineer Dave Pensado gives some tips on stereo widening, including his thoughts on NUGEN’s Stereoizer plug-in.
Sreejesh NairFreddy Vinehill-Cliffe
Renowned Bollywood sound engineer Sreejesh Nair chooses Halo Upmix to produce a powerfully immersive upmix on a broad range of cinema projects.
Michael StearnsFreddy Vinehill-Cliffe
Find out how sound designer Michael Stearns transformed mono recordings into a stereo film soundtrack using NUGEN tools.
Friedemann TischmeyerFreddy Vinehill-Cliffe
Renowned mastering engineer Friedemann Tischmeyer talks mastering for today's distribution platforms and preserving dynamics with MasterCheck.
Richard AddisFreddy Vinehill-Cliffe
Richard Addis of HALO Post talks re-inventing audio loudness monitoring, original article first appeared in The Broadcast Bridge.
Richard AitkenFreddy Vinehill-Cliffe
Richard Aitken talks loudness for games and adapting to changes in the industry.
Brian RiordanFreddy Vinehill-Cliffe
Meeting 5.1 upmix challenges with Emmy Award-winner Brian Riordan, original article first appeared in Post Magazine.
Tom MarksFreddy Vinehill-Cliffe
Tom Marks chats about technological shifts over the course of his career, and how these have led to him using Halo Upmix for his work.
Mark Henry PhillipsFreddy Vinehill-Cliffe
Mark Henry Phillips explains how VisLM and ISL both fit into his workflow.
Scott GershinFreddy Vinehill-Cliffe
We discuss compliance and transparency with BAFTA nominated sound editor and mixer Scott Gershin.
Jacques BoulangerFreddy Vinehill-Cliffe
Jacques Boulanger, Emmy Award-winning sound engineer, describes the challenge of upmixing Natalie Merchant's latest film project.
Mike Prestwood-SmithFreddy Vinehill-Cliffe
BAFTA winning re-recording mixer Mike Prestwood-Smith tells us about how he used Halo Upmix on Kingsman: The Golden Circle.
Florian CamererFreddy Vinehill-Cliffe
Loudness standards and beyond, explained by Florian Camerer, original article first appeared in Resolution Magazine.
Alan SallabankFreddy Vinehill-Cliffe
Alan Sallabank describes how Halo Upmix saved the day for him, original article first appeared in Pro Tools Expert.