Robert Nation

Robert Nation

CO-FOUNDER, EMAC RECORDING STUDIOS

Preparing for the new world of loudness-normalization with audio veteran Robert Nation [Pixar: Up, Michael Moore: Sicko], NUGEN Audio tools have smoothed the way

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Robert Nation
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Robert Nation

CO-FOUNDER, EMAC RECORDING STUDIOS

Preparing for the new world of loudness-normalization with audio veteran Robert Nation [Pixar: Up, Michael Moore: Sicko], NUGEN Audio tools have smoothed the way

Technology revolution

Robert Nation is co-founder and principal engineer/producer at EMAC Recording Studios in London, Ontario, Canada, specializing in music recording and mixing, mastering, and audio post-production on a wide range of radio, film, and television productions. Since 2000, Nation has also served as a professor of recording engineering in the Music Industry Arts program of the School of Contemporary Media at Fanshawe College in London, Ontario.

 

"Although I’m still somewhat old-school, the digital era has radically changed many of my work processes for the better."

"The technology evolution hasn’t just been exciting; it’s nothing short of revolutionary. Although I’m still somewhat old-school, the digital era has radically changed many of my work processes for the better. The fundamentals remain the same, but I find that today’s digital and software-based technologies allow me to hone in more on the creative process than ever before. That’s especially true as the music industry continues to transition away from the 'louder is better' era, also known as the loudness wars.

 

"With so much change in the air, audio professionals like me are stuck in a type of limbo. Because loudness regulations and loudness normalization for streaming services have not been fully implemented yet, we still feel compelled to create tracks that are louder than our friends’ tracks. At the same time, loudness regulations such as EBU R128 have given us a standard by which we can normalize an audio track to actual perceived loudness, which is the key to dynamic range and contrast for a more satisfying listening experience. This is not to say that I cannot use heavier compression and limiting if I feel it’s appropriate; however I do not need to use those tools just to make it loud."

"I was impressed by the company’s dedication to offering extremely high-quality and great-sounding tools for audio loudness analysis, metering, and measurement as well as mix and mastering tools."

From maximum loudness to maximum dynamic range

"Given all of this, I’ve been searching for easy-to-use tools and technologies that can help me make a smooth transition to mixing for maximum dynamic range as opposed to maximum loudness. These capabilities are becoming especially important as the streaming services, such as Apple Music, Spotify, and DAB Radio are continuing to adopt loudness normalization and True Peak limiting techniques.

 

"A couple of years ago, this search took me to the AES pro audio convention, where I came across NUGEN Audio. I was impressed by the company’s dedication to offering extremely high-quality and great-sounding tools for audio loudness analysis, metering, and measurement as well as mix and mastering tools. I realized these tools could be a good reference to the new streaming criteria – with the ability to understand not only how the streaming algorithms affect the mix, but how the track will sound on consumer playout devices for the optimal listening experience.

 

"One particularly valuable tool is NUGEN Audio’s LM-Correct plug-in."

 

"One particularly valuable tool is NUGEN Audio’s LM-Correct plug-in, which automatically analyzes audio peaks and makes quick adjustments to bring a track into compliance with loudness thresholds. I’m currently using LM-Correct as a standalone, final check on loudness and True Peak levels as a file goes to sequencing or delivery to the client after mastering. There might be other companies that offer this capability, but LM-Correct is one of the most elegant approaches I’ve ever seen. Together with VisLM, NUGEN Audio’s loudness metering plug-in, LM-Correct plays a critical role in loudness normalization, giving me the ability to deliver high-quality, loudness-compliant audio."

It's about the music

"The NUGEN Audio tools are also increasingly coming into play when I wear my other hat, as a professor of recording engineering for the Music Industry Arts program at Fanshawe College here in London, Ontario. For second-year students, I’ve recently begun to emphasize loudness issues and incorporate loudness tools as part of the essential techniques necessary for mixing in today’s production and post-production environments. These techniques are especially important as more and more individuals are mixing and mastering on their own as part of a 'one-man band' process of writing, recording, and finishing their own material. In our program, we’re stressing the use of professional tools that will keep mixing and mastering at the highest-possible levels and maintain the standards of our profession. The NUGEN Audio tools play a critical role in this effort.

"With the NUGEN Audio toolset, I’m not only able to prepare my students for coming world of loudness normalization, but I feel completely prepared in my own business for the smoothest-possible transition."

"When loudness normalization becomes mandatory on the streaming services, it will be the biggest change to happen to our industry in at least 20 years – and it will mean the loudness wars are well and truly over. No longer will we have to 'wreck' every track just for sheer loudness in order to make it stand out; instead, we’ll be freed to concentrate on more creative mixes with the broadest-possible dynamic range. With the NUGEN Audio toolset, I’m not only able to prepare my students for coming world of loudness normalization, but I feel completely prepared in my own business for the smoothest-possible transition as these changes begin to fundamentally change the way audio professionals work."

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Robert Nation
Buy Now

Robert Nation

CO-FOUNDER, EMAC RECORDING STUDIOS

Preparing for the new world of loudness-normalization with audio veteran Robert Nation [Pixar: Up, Michael Moore: Sicko], NUGEN Audio tools have smoothed the way

Technology revolution

Robert Nation is co-founder and principal engineer/producer at EMAC Recording Studios in London, Ontario, Canada, specializing in music recording and mixing, mastering, and audio post-production on a wide range of radio, film, and television productions. Since 2000, Nation has also served as a professor of recording engineering in the Music Industry Arts program of the School of Contemporary Media at Fanshawe College in London, Ontario.

 

"Although I’m still somewhat old-school, the digital era has radically changed many of my work processes for the better."

"The technology evolution hasn’t just been exciting; it’s nothing short of revolutionary. Although I’m still somewhat old-school, the digital era has radically changed many of my work processes for the better. The fundamentals remain the same, but I find that today’s digital and software-based technologies allow me to hone in more on the creative process than ever before. That’s especially true as the music industry continues to transition away from the 'louder is better' era, also known as the loudness wars.

 

"With so much change in the air, audio professionals like me are stuck in a type of limbo. Because loudness regulations and loudness normalization for streaming services have not been fully implemented yet, we still feel compelled to create tracks that are louder than our friends’ tracks. At the same time, loudness regulations such as EBU R128 have given us a standard by which we can normalize an audio track to actual perceived loudness, which is the key to dynamic range and contrast for a more satisfying listening experience. This is not to say that I cannot use heavier compression and limiting if I feel it’s appropriate; however I do not need to use those tools just to make it loud."

"I was impressed by the company’s dedication to offering extremely high-quality and great-sounding tools for audio loudness analysis, metering, and measurement as well as mix and mastering tools."

From maximum loudness to maximum dynamic range

"Given all of this, I’ve been searching for easy-to-use tools and technologies that can help me make a smooth transition to mixing for maximum dynamic range as opposed to maximum loudness. These capabilities are becoming especially important as the streaming services, such as Apple Music, Spotify, and DAB Radio are continuing to adopt loudness normalization and True Peak limiting techniques.

 

"A couple of years ago, this search took me to the AES pro audio convention, where I came across NUGEN Audio. I was impressed by the company’s dedication to offering extremely high-quality and great-sounding tools for audio loudness analysis, metering, and measurement as well as mix and mastering tools. I realized these tools could be a good reference to the new streaming criteria – with the ability to understand not only how the streaming algorithms affect the mix, but how the track will sound on consumer playout devices for the optimal listening experience.

 

"One particularly valuable tool is NUGEN Audio’s LM-Correct plug-in."

 

"One particularly valuable tool is NUGEN Audio’s LM-Correct plug-in, which automatically analyzes audio peaks and makes quick adjustments to bring a track into compliance with loudness thresholds. I’m currently using LM-Correct as a standalone, final check on loudness and True Peak levels as a file goes to sequencing or delivery to the client after mastering. There might be other companies that offer this capability, but LM-Correct is one of the most elegant approaches I’ve ever seen. Together with VisLM, NUGEN Audio’s loudness metering plug-in, LM-Correct plays a critical role in loudness normalization, giving me the ability to deliver high-quality, loudness-compliant audio."

It's about the music

"The NUGEN Audio tools are also increasingly coming into play when I wear my other hat, as a professor of recording engineering for the Music Industry Arts program at Fanshawe College here in London, Ontario. For second-year students, I’ve recently begun to emphasize loudness issues and incorporate loudness tools as part of the essential techniques necessary for mixing in today’s production and post-production environments. These techniques are especially important as more and more individuals are mixing and mastering on their own as part of a 'one-man band' process of writing, recording, and finishing their own material. In our program, we’re stressing the use of professional tools that will keep mixing and mastering at the highest-possible levels and maintain the standards of our profession. The NUGEN Audio tools play a critical role in this effort.

"With the NUGEN Audio toolset, I’m not only able to prepare my students for coming world of loudness normalization, but I feel completely prepared in my own business for the smoothest-possible transition."

"When loudness normalization becomes mandatory on the streaming services, it will be the biggest change to happen to our industry in at least 20 years – and it will mean the loudness wars are well and truly over. No longer will we have to 'wreck' every track just for sheer loudness in order to make it stand out; instead, we’ll be freed to concentrate on more creative mixes with the broadest-possible dynamic range. With the NUGEN Audio toolset, I’m not only able to prepare my students for coming world of loudness normalization, but I feel completely prepared in my own business for the smoothest-possible transition as these changes begin to fundamentally change the way audio professionals work."

Related products

Newsletter sign-upEnter your email address for NUGEN Audio product news, offers, tips and interviews

More like this

ARTISTS & STORIESCOMMUNITYLM-CORRECTLOUDNESS TOOLKITNUGEN POSTVISLM

Share this

Copyright Ⓒ 2018 NUGEN Audio

Terms & Conditions | Privacy Policy | Cookies

Technology revolution

Robert Nation is co-founder and principal engineer/producer at EMAC Recording Studios in London, Ontario, Canada, specializing in music recording and mixing, mastering, and audio post-production on a wide range of radio, film, and television productions. Since 2000, Nation has also served as a professor of recording engineering in the Music Industry Arts program of the School of Contemporary Media at Fanshawe College in London, Ontario.

 

"Although I’m still somewhat old-school, the digital era has radically changed many of my work processes for the better."

"The technology evolution hasn’t just been exciting; it’s nothing short of revolutionary. Although I’m still somewhat old-school, the digital era has radically changed many of my work processes for the better. The fundamentals remain the same, but I find that today’s digital and software-based technologies allow me to hone in more on the creative process than ever before. That’s especially true as the music industry continues to transition away from the 'louder is better' era, also known as the loudness wars.

 

"With so much change in the air, audio professionals like me are stuck in a type of limbo. Because loudness regulations and loudness normalization for streaming services have not been fully implemented yet, we still feel compelled to create tracks that are louder than our friends’ tracks. At the same time, loudness regulations such as EBU R128 have given us a standard by which we can normalize an audio track to actual perceived loudness, which is the key to dynamic range and contrast for a more satisfying listening experience. This is not to say that I cannot use heavier compression and limiting if I feel it’s appropriate; however I do not need to use those tools just to make it loud."

"I was impressed by the company’s dedication to offering extremely high-quality and great-sounding tools for audio loudness analysis, metering, and measurement as well as mix and mastering tools."

From maximum loudness to maximum dynamic range

"Given all of this, I’ve been searching for easy-to-use tools and technologies that can help me make a smooth transition to mixing for maximum dynamic range as opposed to maximum loudness. These capabilities are becoming especially important as the streaming services, such as Apple Music, Spotify, and DAB Radio are continuing to adopt loudness normalization and True Peak limiting techniques.

 

"A couple of years ago, this search took me to the AES pro audio convention, where I came across NUGEN Audio. I was impressed by the company’s dedication to offering extremely high-quality and great-sounding tools for audio loudness analysis, metering, and measurement as well as mix and mastering tools. I realized these tools could be a good reference to the new streaming criteria – with the ability to understand not only how the streaming algorithms affect the mix, but how the track will sound on consumer playout devices for the optimal listening experience.

 

"One particularly valuable tool is NUGEN Audio’s LM-Correct plug-in."

 

"One particularly valuable tool is NUGEN Audio’s LM-Correct plug-in, which automatically analyzes audio peaks and makes quick adjustments to bring a track into compliance with loudness thresholds. I’m currently using LM-Correct as a standalone, final check on loudness and True Peak levels as a file goes to sequencing or delivery to the client after mastering. There might be other companies that offer this capability, but LM-Correct is one of the most elegant approaches I’ve ever seen. Together with VisLM, NUGEN Audio’s loudness metering plug-in, LM-Correct plays a critical role in loudness normalization, giving me the ability to deliver high-quality, loudness-compliant audio."

It's about the music

"The NUGEN Audio tools are also increasingly coming into play when I wear my other hat, as a professor of recording engineering for the Music Industry Arts program at Fanshawe College here in London, Ontario. For second-year students, I’ve recently begun to emphasize loudness issues and incorporate loudness tools as part of the essential techniques necessary for mixing in today’s production and post-production environments. These techniques are especially important as more and more individuals are mixing and mastering on their own as part of a 'one-man band' process of writing, recording, and finishing their own material. In our program, we’re stressing the use of professional tools that will keep mixing and mastering at the highest-possible levels and maintain the standards of our profession. The NUGEN Audio tools play a critical role in this effort.

"With the NUGEN Audio toolset, I’m not only able to prepare my students for coming world of loudness normalization, but I feel completely prepared in my own business for the smoothest-possible transition."

"When loudness normalization becomes mandatory on the streaming services, it will be the biggest change to happen to our industry in at least 20 years – and it will mean the loudness wars are well and truly over. No longer will we have to 'wreck' every track just for sheer loudness in order to make it stand out; instead, we’ll be freed to concentrate on more creative mixes with the broadest-possible dynamic range. With the NUGEN Audio toolset, I’m not only able to prepare my students for coming world of loudness normalization, but I feel completely prepared in my own business for the smoothest-possible transition as these changes begin to fundamentally change the way audio professionals work."

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An uncompromising collection of 11 must-have plug-ins for high quality broadcast, film and game audio production.



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